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Scarlet Letter, Apuntes de Literatura Americana

Asignatura: Literatura dels Estats Units des dels orígens fins als segle XIX, Profesor: Carmen Manuel, Carrera: Estudis Anglesos, Universidad: UV

Tipo: Apuntes

Antes del 2010

Subido el 29/08/2008

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The Custom-House: Introductory
A writer of story-books! What kind of a business in life,—what mode of glorifying
God, or being serviceable to mankind in his day and generation,—may that be?
This introduction provides a frame for the main narrative of The Scarlet Letter.
The nameless narrator, who shares quite a few traits with the book’s author, takes
a post as the “chief executive oicer,” or surveyor, of the Salem Custom House.
(“Customs” are the taxes paid on foreign imports into a country; a “customhouse”
is the building where these taxes are paid.) He nds the establishment to be a run-
down place, situated on a rotting wharf in a half-nished building. His fellow
workers mostly hold lifetime appointments secured by family connections. They
are elderly and given to telling the same stories repeatedly. The narrator nds
them to be generally incompetent and innocuously corrupt.
The narrator spends his days at the customhouse trying to amuse himself
because few ships come to Salem anymore. One rainy day he discovers some
documents in the building’s unoccupied second story. Looking through the pile, he
notices a manuscript that is bundled with a scarlet, gold-embroidered piece of
cloth in the shape of the letter “A.” The narrator examines the scarlet badge and
holds it briey to his chest, but he drops it because it seems to burn him. He then
reads the manuscript. It is the work of one Jonathan Pue, who was a customs
surveyor a hundred years earlier. An interest in local history led Pue to write an
account of events taking place in the middle of the seventeenth century—a century
before Pue’s time and two hundred years before the narrator’s.
The narrator has already mentioned his unease about attempting to make a
career out of writing. He believes that his Puritan ancestors, whom he holds in
high regard, would nd it frivolous and “degenerate.” Nevertheless, he decides to
write a ctional account of Hester Prynne’s experiences. It will not be factually
precise, but he believes that it will be faithful to the spirit and general outline of
the original. While working at the customhouse, surrounded by uninspiring men,
the narrator nds himself unable to write. When a new president is elected, he
loses his politically appointed job and, settling down before a dim re in his parlor,
begins to write his “romance,” which becomes the body of The Scarlet Letter.
Chapters I–II
Summary—Chapter I: The Prison-Door
This rst chapter contains little in the way of action, instead setting the scene
and introducing the rst of many symbols that will come to dominate the story. A
crowd of somber, dreary-looking people has gathered outside the door of a prison
in seventeenth-century Boston. The building’s heavy oak door is studded with iron
spikes, and the prison appears to have been constructed to hold dangerous
criminals. No matter how optimistic the founders of new colonies may be, the
narrator tells us, they invariably provide for a prison and a cemetery almost
immediately. This is true of the citizens of Boston, who built their prison some
twenty years earlier.
The one incongruity in the otherwise drab scene is the rosebush that grows
next to the prison door. The narrator suggests that it oers a reminder of Nature’s
kindness to the condemned; for his tale, he says, it will provide either a “sweet
moral blossom” or else some relief in the face of unrelenting sorrow and gloom.
Summary—Chapter II: The Market-Place
As the crowd watches, Hester Prynne, a young woman holding an infant,
emerges from the prison door and makes her way to a scaold (a raised platform),
where she is to be publicly condemned. The women in the crowd make disparaging
comments about Hester; they particularly criticize her for the ornateness of the
embroidered badge on her chest—a letter “A” stitched in gold and scarlet. From
the women’s conversation and Hester’s reminiscences as she walks through the
crowd, we can deduce that she has committed adultery and has borne an
illegitimate child, and that the “A” on her dress stands for “Adulterer.”
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The Custom-House: Introductory

A writer of story-books! What kind of a business in life,—what mode of glorifying God, or being serviceable to mankind in his day and generation,—may that be?

This introduction provides a frame for the main narrative of The Scarlet Letter. The nameless narrator, who shares quite a few traits with the book’s author, takes a post as the “chief executive officer,” or surveyor, of the Salem Custom House. (“Customs” are the taxes paid on foreign imports into a country; a “customhouse” is the building where these taxes are paid.) He finds the establishment to be a run- down place, situated on a rotting wharf in a half-finished building. His fellow workers mostly hold lifetime appointments secured by family connections. They are elderly and given to telling the same stories repeatedly. The narrator finds them to be generally incompetent and innocuously corrupt.

The narrator spends his days at the customhouse trying to amuse himself because few ships come to Salem anymore. One rainy day he discovers some documents in the building’s unoccupied second story. Looking through the pile, he notices a manuscript that is bundled with a scarlet, gold-embroidered piece of cloth in the shape of the letter “A.” The narrator examines the scarlet badge and holds it briefly to his chest, but he drops it because it seems to burn him. He then reads the manuscript. It is the work of one Jonathan Pue, who was a customs surveyor a hundred years earlier. An interest in local history led Pue to write an account of events taking place in the middle of the seventeenth century—a century before Pue’s time and two hundred years before the narrator’s.

The narrator has already mentioned his unease about attempting to make a career out of writing. He believes that his Puritan ancestors, whom he holds in high regard, would find it frivolous and “degenerate.” Nevertheless, he decides to write a fictional account of Hester Prynne’s experiences. It will not be factually precise, but he believes that it will be faithful to the spirit and general outline of the original. While working at the customhouse, surrounded by uninspiring men, the narrator finds himself unable to write. When a new president is elected, he loses his politically appointed job and, settling down before a dim fire in his parlor, begins to write his “romance,” which becomes the body of The Scarlet Letter.

Chapters I–II

Summary—Chapter I: The Prison-Door

This first chapter contains little in the way of action, instead setting the scene and introducing the first of many symbols that will come to dominate the story. A crowd of somber, dreary-looking people has gathered outside the door of a prison in seventeenth-century Boston. The building’s heavy oak door is studded with iron spikes, and the prison appears to have been constructed to hold dangerous criminals. No matter how optimistic the founders of new colonies may be, the narrator tells us, they invariably provide for a prison and a cemetery almost immediately. This is true of the citizens of Boston, who built their prison some twenty years earlier.

The one incongruity in the otherwise drab scene is the rosebush that grows next to the prison door. The narrator suggests that it offers a reminder of Nature’s kindness to the condemned; for his tale, he says, it will provide either a “sweet moral blossom” or else some relief in the face of unrelenting sorrow and gloom.

Summary—Chapter II: The Market-Place

As the crowd watches, Hester Prynne, a young woman holding an infant, emerges from the prison door and makes her way to a scaffold (a raised platform), where she is to be publicly condemned. The women in the crowd make disparaging comments about Hester; they particularly criticize her for the ornateness of the embroidered badge on her chest—a letter “A” stitched in gold and scarlet. From the women’s conversation and Hester’s reminiscences as she walks through the crowd, we can deduce that she has committed adultery and has borne an illegitimate child, and that the “A” on her dress stands for “Adulterer.”

The beadle calls Hester forth. Children taunt her and adults stare. Scenes from Hester’s earlier life flash through her mind: she sees her parents standing before their home in rural England, then she sees a “misshapen” scholar, much older than herself, whom she married and followed to continental Europe. But now the present floods in upon her, and she inadvertently squeezes the infant in her arms, causing it to cry out. She regards her current fate with disbelief.

Chapters III–IV

Summary—Chapter III: The Recognition

In the crowd that surrounds the scaffold, Hester suddenly spots her husband, who sent her to America but never fulfilled his promise to follow her. Though he is dressed in a strange combination of traditional European clothing and Native American dress, she is struck by his wise countenance and recognizes his slightly deformed shoulders. Hester’s husband (whom we will learn, in the next chapters, is now calling himself Roger Chillingworth) gestures to Hester that she should not reveal his identity. He then turns to a stranger in the crowd and asks about Hester’s crime and punishment, explaining that he has been held captive by Native Americans and has just arrived in Boston. The stranger tells him that Hester is the wife of a learned Englishman and had been living with him in Amsterdam when he decided to emigrate to America. The learned man sent Hester to America first and remained behind to settle his affairs, but he never joined Hester in Boston. Chillingworth remarks that Hester’s husband must have been foolish to think he could keep a young wife happy, and he asks the stranger about the identity of the baby’s father.

The stranger tells him that Hester refuses to reveal her fellow sinner. As punishment, she has been sentenced to three hours on the scaffold and a lifetime of wearing the scarlet letter on her chest. The narrator then introduces us to the town fathers who sit in judgment of Hester: Governor Bellingham, Reverend Wilson, and Reverend Dimmesdale. Dimmesdale, a young minister who is renowned for his eloquence, religious fervor, and theological expertise, is delegated to demand that Hester reveal the name of her child’s father. He tells her that she should not protect the man’s identity out of pity or tenderness, but when she staunchly refuses he does not press her further. Hester says that her child will seek a heavenly father and will never know an earthly one. Reverend Wilson then steps in and delivers a condemnatory sermon on sin, frequently referring to Hester’s scarlet letter, which seems to the crowd to glow and burn. Hester bears the sermon patiently, hushing Pearl when she begins to scream. At the conclusion of the sermon, Hester is led back into the prison.

Summary—Chapter IV: The Interview

Hester and her husband come face to face for the first time when he is called to her prison cell to provide medical assistance. Chillingworth has promised the jailer that he can make Hester more “amenable to just authority,” and he now offers her a cup of medicine. Hester knows his true identity—his gaze makes her shudder—and she initially refuses to drink his potion. She thinks that Chillingworth might be poisoning her, but he assures her that he wants her to live so that he can have his revenge. In the candid conversation that follows, he chastises himself for thinking that he, a misshapen bookworm, could keep a beautiful wife like Hester happy. He urges her to reveal the identity of her lover, telling her that he will surely detect signs of sympathy that will lead him to the guilty party. When she refuses to tell her secret, he makes her promise that she will not reveal to anyone his own identity either. His demoniacal grin and obvious delight at her current tribulations lead Hester to burst out the speculation that he may be the “Black Man”—the Devil in disguise—come to lure her into a pact and damn her soul. Chillingworth replies that it is not the well-being of her soul that his presence jeopardizes, implying that he plans to seek out her unknown lover. He clearly has revenge on his mind.

Chapters V–VI

The governor’s mansion is stuffy and severe. It is built in the style of the English aristocracy, complete with family portraits and a suit of armor, which the governor has worn in battles with the Native Americans. Pearl is fascinated by the armor. When she points out her mother’s reflection in it, Hester is horrified to see that the scarlet letter dominates the reflection. Pearl begins to scream for a rose from the bush outside the window, but she is quieted by the entrance of a group of men.

Summary—Chapter VIII: The Elf-Child and the Minister

Bellingham, Wilson, Chillingworth, and Dimmesdale enter the room. They notice Pearl and begin to tease her by calling her a bird and a demon-child. When the governor points out that Hester is also present, they ask her why she should be allowed to keep the child. She tells the men that she will be able to teach Pearl an important lesson—the lesson that she has learned from her shame. They are doubtful, and Wilson tries to test the three-year-old’s knowledge of religious subjects. Wilson resents Pearl’s seeming dislike of him, and Pearl’s refusal to answer even the simplest of questions does not bode well.

With nowhere else to turn, Hester begs Dimmesdale to speak for her and her child. He replies by reminding the men that God sent Pearl and that the child was seemingly meant to be both a blessing and a curse. Swayed by his eloquence, Bellingham and Wilson agree not to separate mother and child. Strangely, Pearl has taken well to Dimmesdale. She goes to him and presses his hand to her cheek. Vexed because Hester seems to have triumphed, Chillingworth presses the men to reopen their investigation into the identity of Hester’s lover, but they refuse, telling him that God will reveal the information when He deems it appropriate. As Hester leaves the governor’s mansion, Mistress Hibbins, the governor’s sister, pokes her head out of the window to invite Hester to a witches’ gathering. Hester tells her that if she had not been able to keep Pearl, she would have gone willingly. The narrator notes that it seems Pearl has saved her mother from Satan’s temptations.

Chapters IX–X

Summary—Chapter IX: The Leech

By renaming himself upon his arrival in Boston, Chillingworth has hidden his past from everyone except Hester, whom he has sworn to secrecy. He incorporates himself into society in the role of a doctor, and since the townsfolk have very little access to good medical care, he is welcomed and valued. In addition to his training in European science, he also has some knowledge of “native” or “natural” remedies, because he was captured by Native Americans and lived with them for a time. The town sometimes refers to the doctor colloquially as a “leech,” which was a common epithet for physicians at the time. The name derives from the practice of using leeches to drain blood from their patients, which used to be regarded as a curative process.

Much to the community’s concern, Dimmesdale has been suffering from severe health problems. He appears to be wasting away, and he frequently clutches at his chest as though his heart pains him. Because Dimmesdale refuses to marry any of the young women who have devoted themselves to him, Chillingworth urges the town leadership to insist that Dimmesdale allow the doctor to live with him. In this way, Chillingworth may have a chance to diagnose and cure the younger man. The two men take rooms next to the cemetery in a widow’s home, which gives them an opportunity for the contemplation of sin and death. The minister’s room is hung with tapestries depicting biblical scenes of adultery and its punishment, while Chillingworth’s room contains a laboratory that is sophisticated for its time.

The townspeople were initially grateful for Chillingworth’s presence and deemed his arrival a divine miracle designed to help Dimmesdale. As time has passed, however, rumors have spread concerning Chillingworth’s personal history. Even more ominously, the man’s face has begun to take on a look of evil. A majority of the townspeople begin to suspect that Chillingworth is the Devil, come to wage battle for Dimmesdale’s soul.

Summary—Chapter X: The Leech and His Patient

The inwardly tortured minister soon becomes Chillingworth’s greatest puzzle. The doctor relentlessly and mercilessly seeks to find the root of his patient’s condition. Chillingworth shows great persistence in inquiring into the most private details of Dimmesdale’s life, but Dimmesdale has grown suspicious of all men and will confide in no one. Chillingworth devotes all of his time to his patient. Even when he is not in Dimmesdale’s presence, Chillingworth is busy gathering herbs and weeds out of which to make medicines.

One day Dimmesdale questions his doctor about an unusual-looking plant. Chillingworth remarks that he found it growing on an unmarked grave and suggests that the dark weeds are the sign of the buried person’s unconfessed sin. The two enter into an uncomfortable conversation about confession, redemption, and the notion of “burying” one’s secrets. As they speak, they hear a cry from outside. Through the window, they see Pearl dancing in the graveyard and hooking burrs onto the “A” on Hester’s chest. When Pearl notices the two men, she drags her mother away, saying that the “Black Man” has already gotten the minister and that he must not capture them too. Chillingworth remarks that Hester is not a woman who lives with buried sin—she wears her sin openly on her breast. At Chillingworth’s words, Dimmesdale is careful not to give himself away either as someone who is intimately attached to Hester or as someone with a “buried” sin of his own. Chillingworth begins to prod the minister more directly by inquiring about his spiritual condition, explaining that he thinks it relevant to his physical health. Dimmesdale becomes agitated and tells Chillingworth that such matters are the concern of God. He then leaves the room.

Dimmesdale’s behavior has reinforced Chillingworth’s suspicions. The minister apologizes for his behavior, and the two are friends again. However, a few days later, Chillingworth sneaks up to Dimmesdale while he is asleep and pushes aside the shirt that Dimmesdale is wearing. What he sees on Dimmesdale’s chest causes the doctor to rejoice, but the reader is kept in the dark as to what Chillingworth has found there.

Chapters XI–XII

Summary—Chapter XI: The Interior of a Heart

Chillingworth continues to play mind games with Dimmesdale, making his revenge as terrible as possible. The minister often regards his doctor with distrust and even loathing, but because he can assign no rational basis to his feelings, he dismisses them and continues to suffer. Dimmesdale’s suffering, however, does inspire him to deliver some of his most powerful sermons, which focus on the topic of sin. His struggles allow him to empathize with human weakness, and he thus addresses “the whole human brotherhood in the heart’s native language.” Although the reverend deeply yearns to confess the truth of his sin to his parishioners, he cannot bring himself to do so. As a result, his self-probing keeps him up at night, and he even sees visions.

In one vision, he sees Hester and “little Pearl in her scarlet garb.” Hester points “her forefinger, first at the scarlet letter on her [motbosom, and then at the clergyman’s own breast.” The minister understands that he is delusional, but his psychological tumult leads him to assign great meaning to his delusions. Even the Bible offers him little support. Unable to unburden himself of the guilt deriving from his sin, he begins to believe that “the whole universe is false,... it shrinks to nothing within his grasp.” Dimmesdale begins to torture himself physically: he scourges himself with a whip, he fasts, and he holds extended vigils, during which he stays awake throughout the night meditating upon his sin. During one of these vigils, Dimmesdale seizes on an idea for what he believes may be a remedy to his pain. He decides to hold a vigil on the scaffold where, years before, Hester suffered for her sin.

Summary—Chapter XII: The Minister’s Vigil

When Hester approaches him, he tells her with a smirk that he has heard “good tidings” of her, and that in fact the town fathers have recently considered allowing her to remove the scarlet letter. Hester rebuffs Chillingworth’s insincere friendliness, telling him that the letter cannot be removed by human authority. Divine providence, she says, will make it fall from her chest when it is time for it to do so. She then informs Chillingworth that she feels it is time to tell the minister the truth about Chillingworth’s identity. From their conversation, it is clear that Chillingworth now knows with certainty that Dimmesdale was Hester’s lover and that Hester is aware of his knowledge.

A change comes over Chillingworth’s face, and the narrator notes that the old doctor has transformed himself into the very embodiment of evil. In a spasm of self-awareness, Chillingworth realizes how gnarled and mentally deformed he has become. He recalls the old days, when he was a benevolent scholar. He has now changed from a human being into a vengeful fiend, a mortal man who has lost his “human heart.” Saying that she bears the blame for Chillingworth’s tragic transformation, Hester begs him to relent in his revenge and become a human being again. The two engage in an argument over who is responsible for the current state of affairs. Chillingworth insists that his revenge and Hester’s silence are “[their] fate.” “Let the black flower blossom as it may!” he exclaims to her. “Now go thy ways, and deal as thou wilt with yonder man.”

Chapters XV–XVI

Summary—Chapter XV: Hester and Pearl

As Chillingworth walks away, Hester goes to find Pearl. She realizes that, although it is a sin to do so, she hates her husband. If she once thought she was happy with him, it was only self-delusion. Pearl has been playing in the tide pools down on the beach. Pretending to be a mermaid, she puts eelgrass on her chest in the shape of an “A,” one that is “freshly green, instead of scarlet.” Pearl hopes that her mother will ask her about the letter, and Hester does inquire whether Pearl understands the meaning of the symbol on her mother’s chest. They proceed to discuss the meaning of the scarlet letter. Pearl connects the letter to Dimmesdale’s frequent habit of clutching his hand over his heart, and Hester is unnerved by her daughter’s perceptiveness. She realizes the child is too young to know the truth and decides not to explain the significance of the letter to her. Pearl is persistent, though, and for the next several days she harangues her mother about the letter and about the minister’s habit of reaching for his heart.

Summary—Chapter XVI: A Forest Walk

“Mother,” said little Pearl, “the sunshine does not love you. It runs away and hides itself, because it is afraid of something on your bosom.... It will not flee from me; for I wear nothing on my bosom yet!”

Intent upon telling Dimmesdale the truth about Chillingworth’s identity, Hester waits for the minister in the forest, because she has heard that he will be passing through on the way back from visiting a Native American settlement. Pearl accompanies her mother and romps in the sunshine along the way. Curiously, the sunshine seems to shun Hester. As they wait for Dimmesdale by a brook, Pearl asks Hester to tell her about the “Black Man” and his connection to the scarlet letter. She has overheard an old woman discussing the midnight excursions of Mistress Hibbins and others, and the woman mentioned that Hester’s scarlet letter is the mark of the “Black Man.” When Pearl sees Dimmesdale’s figure emerging from the wood, she asks whether the approaching person is the “Black Man.” Hester, wanting privacy, tries to hurry Pearl off into the woods to play, but Pearl, both scared of and curious about the “Black Man,” wants to stay. Exasperated, Hester exclaims, “It is no Black Man!... It is the minister!” Pearl scurries off, but not before wondering aloud whether the minister clutches his heart because the “Black Man” has left a mark there too.

Chapters XVII–XVIII

Summary—Chapter XVII: The Pastor and His Parishioner

In the forest, Hester and Dimmesdale are finally able to escape both the public eye and Chillingworth. They join hands and sit in a secluded spot near a brook. Hester tells Dimmesdale that Chillingworth is her husband. This news causes a “dark transfiguration” in Dimmesdale, and he begins to condemn Hester, blaming her for his suffering. Hester, unable to bear his harsh words, pulls him to her chest and buries his face in the scarlet letter as she begs his pardon. Dimmesdale eventually forgives her, realizing that Chillingworth is a worse sinner than either of them. The minister now worries that Chillingworth, who knows of Hester’s intention to reveal his secret, will expose them publicly. Hester tells the minister not to worry. She insists, though, that Dimmesdale free himself from the old man’s power. The former lovers plot to steal away on a ship to Europe, where they can live with Pearl as a family.

Summary—Chapter XVIII: A Flood of Sunshine

The scarlet letter was [Hester’s] passport into regions where other women dared not tread. Shame, Despair, Solitude! These had been her teachers, —stern and wild ones, —and they had made her strong, but taught her much amiss.

The decision to move to Europe energizes both Dimmesdale and Hester. Dimmesdale declares that he can feel joy once again, and Hester throws the scarlet letter from her chest. Having cast off her “stigma,” Hester regains some of her former, passionate beauty, and she lets down her hair and smiles. Sunlight, which as Pearl has pointed out stays away from her mother as though it fears her scarlet letter, suddenly brightens the forest. Hester speaks to Dimmesdale about Pearl and is ecstatic that father and daughter will be able to know one another. She calls their daughter, who has been playing among the forest creatures, to join them. Pearl approaches warily.

Chapters XIX–XX

Summary—Chapter XIX: The Child at the Brook-Side

Hester calls to Pearl to join her and Dimmesdale. From the other side of the brook, Pearl eyes her parents with suspicion. She refuses to come to her mother, pointing at the empty place on Hester’s chest where the scarlet letter used to be. Hester has to pin the letter back on and effect a transformation back into her old, sad self before Pearl will cross the creek. In her mother’s arms, Pearl kisses Hester and, seemingly out of spite, also kisses the scarlet letter. Hester tries to encourage Pearl to embrace Dimmesdale as well, although she does not tell her that the minister is her father. Pearl, aware that the adults seem to have made some sort of arrangement, asks, “Will he go back with us, hand in hand, we three together, into the town?” Because Dimmesdale will not, Pearl rebuffs his subsequent kiss on the forehead. She runs to the brook and attempts to wash it off.

Summary—Chapter XX: The Minister in a Maze

As the minister returns to town, he can hardly believe the change in his fortunes. He and Hester have decided to go to Europe, since it offers more anonymity and a better environment for Dimmesdale’s fragile health. Through her charity work, Hester has become acquainted with the crew of a ship that is to depart for England in four days, and the couple plans to secure passage on this vessel. Tempted to announce to all he sees, “I am not the man for whom you take me! I left him yonder in the forest,” Dimmesdale now finds things that were once familiar, including himself, to seem strange.

As he passes one of the church elders on his way through town, the minister can barely control his urge to utter blasphemous statements. He then encounters an elderly woman who is looking for a small tidbit of spiritual comfort. To her he nearly blurts out a devastating “unanswerable argument against the immortality of the human soul,” but something stops him, and the widow totters away satisfied. He next ignores a young woman whom he has recently converted to the church because he fears that his strange state of mind will lead him to plant some corrupting germ in her innocent heart. Passing one of the sailors from the ship on which he plans to escape, Dimmesdale has the impulse to engage with him in a

suddenly realizes that everyone around her—both those who are familiar with her scarlet letter and those who are not—is staring at her.

Chapters XXIII–XXIV

Summary—Chapter XXIII: The Revelation of the Scarlet Letter

Dimmesdale finishes his Election Day sermon, which focuses on the relationship between God and the communities of mankind, “with a special reference to the New England which they [are] here planting in the wilderness.” Dimmesdale has proclaimed that the people of New England will be chosen by God, and the crowd is understandably moved by the sermon. As they file out of the meeting hall, the people murmur to each other that the sermon was the minister’s best, most inspired, and most truthful ever. As they move toward the town hall for the evening feast, Dimmesdale sees Hester and hesitates. Turning toward the scaffold, he calls to Hester and Pearl to join him. Deaf to Chillingworth’s attempt to stop him, Dimmesdale mounts the scaffold with Hester and Pearl. He declares that God has led him there. The crowd stares. Dimmesdale leans on Hester for support and begins his confession, calling himself “the one sinner of the world.” After he concludes, he stands upright without Hester’s help and tells everyone to see that he, like Hester, has a red stigma. Tearing away his ministerial garments from his breast, Dimmesdale reveals what we take to be some sort of mark—the narrator demurs, saying that it would be “irreverent to describe [the] revelation”—and then sinks onto the scaffold. The crowd recoils in shock, and Chillingworth cries out, “Thou hast escaped me!” Pearl finally bestows on Dimmesdale the kiss she has withheld from him. The minister and Hester then exchange words. She asks him whether they will spend their afterlives together, and he responds that God will decide whether they will receive any further punishment for breaking His sacred law. The minister bids her farewell and dies.

Summary—Chapter XXIV: Conclusion

[T]he scarlet letter ceased to be a stigma which attracted the world’s scorn and bitterness, and became a type of something to be sorrowed over, and looked upon with awe, and yet with reverence, too.

The book’s narrator discusses the events that followed Dimmesdale’s death and reports on the fates of the other major characters. Apparently, those who witnessed the minister’s death cannot agree upon what exactly it was that they saw. Most say they saw on his chest a scarlet letter exactly like Hester’s. To their minds, it resulted from Chillingworth’s poisonous magic, from the minister’s self- torture, or from his inner remorse. Others say they saw nothing on his chest and that Dimmesdale’s “revelation” was simply that any man, however holy or powerful, can be as guilty of sin as Hester. It is the narrator’s opinion that this latter group is composed of Dimmesdale’s friends, who are anxious to protect his reputation.

Left with no object for his malice, Chillingworth wastes away and dies within a year of the minister’s passing, leaving a sizable inheritance to Pearl. Then, shortly after Chillingworth’s death, Hester and Pearl disappear. In their absence, the story of the scarlet letter grows into a legend. The story proves so compelling that the town preserves the scaffold and Hester’s cottage as material testaments to it. Many years later, Hester suddenly returns alone to live in the cottage and resumes her charity work. By the time of her death, the “A,” which she still wears, has lost any stigma it may have had. Hester is buried in the King’s Chapel graveyard, which is the burial ground for Puritan patriarchs. Her grave is next to Dimmesdale’s, but far enough away to suggest that “the dust of the two sleepers had no right to mingle, even in death.” They do, however, share a headstone. It bears a symbol that the narrator feels appropriately sums up the whole of the narrative: a scarlet letter “A” on a black background.