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Automata in Medieval Islamic Art: Power, Diplomacy, and Wonder, Appunti di Arte

The role and significance of automata in medieval islamic art and culture. Automata, defined as objects that move by themselves through pneumatic or hydraulic power, were primarily used in palaces to demonstrate the power and legitimacy of caliphs and urban elites. They also played a crucial role in diplomatic relations between muslim and non-muslim countries, serving as symbols of wealth and wonder. Examples of automata from the abbasid palace and their impact on diplomacy and european perceptions.

Tipologia: Appunti

2019/2020

Caricato il 16/08/2020

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Steven Gheno
26th April 2020
ARTH C120 Selected Topics in Islamic Art: Art and Technology in Medieval Islam, Spring 2020
Prof. Balafrej Lamia, Dept of Art History
ASSIGNMENT 2: Examples of Medieval Islamic machines, tools and instruments
1. An automaton is an object that moves by itself, through the pneumatic power, from the air, or
through the hydraulic power, from the water. Its Arabic equivalent is Hiyal, the definition of
ingenious devices moved by air or by water and represents a wider concept than an automaton by
including even fountains and dispensers in its meaning.
2. Automata were mainly used in palaces in the medieval Islamic world, as their role was
connected with the expression of the power of the caliphs and the legitimacy of their rulership.
The origin of this tradition came from the Qur’an where the prophet Sulayman, considered the
example of the wise and the just Islamic ruler, expressed his power through his palace and its
sculptures which were testifying his control over the jinn of the temporal world, represented by
the craftsmen and the engineers who worked for him. Caliphs but also the urban elites used this
example to legitimate their own rulership in the Islamic world, considering themselves as
second-Sulayman, adding automata for different purposes in their palaces, from shocking to
amusing their important guests.
3. Automata had an important role in diplomatic relations between Muslim and non-Muslim,
being used to awe envoys of foreign countries showing the power of the ruler who owned them.
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Steven Gheno 26th April 2020 ARTH C120 Selected Topics in Islamic Art: Art and Technology in Medieval Islam, Spring 2020 Prof. Balafrej Lamia, Dept of Art History ASSIGNMENT 2: Examples of Medieval Islamic machines, tools and instruments

  1. An automaton is an object that moves by itself, through the pneumatic power, from the air, or through the hydraulic power, from the water. Its Arabic equivalent is Hiyal, the definition of ingenious devices moved by air or by water and represents a wider concept than an automaton by including even fountains and dispensers in its meaning.
  2. Automata were mainly used in palaces in the medieval Islamic world, as their role was connected with the expression of the power of the caliphs and the legitimacy of their rulership. The origin of this tradition came from the Qur’an where the prophet Sulayman, considered the example of the wise and the just Islamic ruler, expressed his power through his palace and its sculptures which were testifying his control over the jinn of the temporal world, represented by the craftsmen and the engineers who worked for him. Caliphs but also the urban elites used this example to legitimate their own rulership in the Islamic world, considering themselves as second-Sulayman, adding automata for different purposes in their palaces, from shocking to amusing their important guests.
  3. Automata had an important role in diplomatic relations between Muslim and non-Muslim, being used to awe envoys of foreign countries showing the power of the ruler who owned them.

An example of its big economic value can be seen in the relationship between the Abbasid caliphate and the Byzantine empire, where a peace offer and money were offered by the caliph to the emperor to get Leo, a famous Byzantine automaton engineer to move to the Abbasid court, while an automaton was given as a gift to the master of the Templar Knights order to marry one of his daughters. Apart from its value, a second way automata influenced diplomatic exchanges was the rise of a superstitious attitude of the Latin Christian towards the Muslims, accusing them of using automata for idols worship, considering them as an exotic element, not part of the European culture.

  1. Automata were aimed to raise amazement, wonder, astonishment and fear on the people watching them, the diplomatic delegations visiting the ruler and the courters under his control. The surprise factor was very important in creating these reactions which contributed to the perception of the caliph’s power.
  2. In the Abbasid palace it can be found an automaton represented by a tree made of gold and silver which could sway thanks to a mechanism and whose metal leaves rustled. It had 18 branches where there were silver and gold birds of different species that chirped thanks to another automatic device. The tree had fruit-shape gemstones with gold birds pecking at them and it was raising from a water tank. On the 2 sides of the tank there were 15 horsemen automata armed with lancers which were moving as during a combat.
  3. Duggan considers automata part of the Islamic figural sculpture, as their most important examples during the medieval period, certifying a long tradition which existed side by side with