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Il documento contiene: 'Lexical metaphor', 'Transitivity: from theory to practice', 'Transitivity: participants', 'Interpersonal meanings' (Polarity and Modality - Modalization and Modulation), 'Orientation of modality' (Explicit/implicit subjective/objective orientation), 'Engagement' (Monogloss and Heterogloss), 'The Appraisal system' (Attitude - Affect, Judgement, Appreciation - Graduation force).
Tipologia: Appunti
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Metalanguage (language that explains language) typical metaphorical more congruent less congruent literal Metaphor: the usage of a certain image to convey another image that has similar elements or characteristics. Example My lawyer is a shark Identifying process → my lawyer = a shark Lexical metaphors exploit simultaneous similarity and difference with the corresponding literal expression. The metaphorical expression has some elements of similarity with the literal expression, but also some elements of difference. It is thanks to this ‘clash’ that we actually perceive its ‘metaphoricity’. Example My lawyer is a shark element of similarity → aggressive, ruthless element of difference → lawyer = human shark = animal Metaphors are a question of word choice: to express a meaning we have a choice between a more congruent and a more metaphorical wording. If we choose one instead of the other the effect is different. Example Compare → My lawyer is a shark / My lawyer is ruthless My lawyer is ruthless → it is more explicit, we don’t have a second way to read it. Connect metaphor and culture : a very old lexical metaphor in the English language Etymology fall (v.), to fall in love is attested from 1520s. Meaning fall - pass suddenly and passively into a state of body and mind; fall into a trap; she fell ill; They fell out of favor; fall in love; fall asleep; fall prey to an imposter; fall into a strange way of thinking; she fell to pieces after she lost her job. “To fall in love” is a metaphor, and it has a positive connotation, instead of the other ones ( fall in pieces …) Some common lexical metaphors in English ● He has no direction in life ● We are at the crossroads ● She will certainly go places ● Don’t let anyone stand in your way → LIFE IS A JOURNEY ● I can’t digest the entire book ● Those ideas are half-baked ● That’s food for thought ● Let me stew over that one → IDEAS ARE FOOD ‘Politics is conflict’ In politics, metaphors are used because they are powerful vehicles of persuasion. A study by Jonathan Charteris-Black has focused on a corpus of postwar manifestos of the two major political parties in the UK. He found that it is common for both parties to include the use of terms such as ‘fight’, ‘battle’, ‘protect’, ‘threat’ to illustrate policies.
Example We will defend the fundamental rights of parents (Conservative) We will defend the agricultural environment (Labour) Politicians and Rhetoric. The Persuasive power of metaphor Jonathan Charteris-Black writes that metaphors are powerful vehicles of persuasion. Used as a bridge between the familiar and the literal, they transfer meaning from what is easily understood to more complex concepts that are harder to grasp. By drawing on deeply rooted cultural schemata politicians are able to represent their beliefs and their policies as heroic tasks and themselves as epic heroes. Likewise, they are able to demonize their enemies and depict opposing policies as villainous. Lexical metaphors are also used in newspapers to describe in different ways the same event. Example: March 2017, attack in London
The processes - team work
Participants are not meaningless grammatical labels that you have to memorize. On the contrary, as with Processes, the choice of participants is meaningful because Participants are realizations of social entities. Metalanguage: an overview of participants Process Meaning Participants Material Doing Actor Goal Mental Sensing Senser Phenomenon Relational
Senser John recognised the house Mary was attracted by it/him Actor NO Goal John went away Behaver John woke up Carrier John was sleepy Goal/Target... John took Harry with him Circumstance... John was with Harry PASSIVE Note. Being an Actor is not sufficient to define the degree of dynamism, and the social role of a participant. Focusing attention on participants: from theory to practice ● Context ● Two different press accounts of an event of civil disorder in May 2004 ● In the Gaza strip
These intermediate degrees, between the positive and negative poles, are known collectively as modality. A simple starting definition of modality is that it is the space between ‘yes’ and ‘no’.
Note. In English, a single form may be used to express more than one type of modality. For example, both “must” and “may” have two distinct uses, which are often referred to as distinct senses: epistemic vs. deontic. Example It shall be lawful for His Majesty to appoint a Minister (hereinafter referred to as " the Minister "), whose duty it shall be to promote the education of the people of England and Wales and the progressive development of institutions devoted to that purpose, and to secure the effective execution by local authorities, under his control and direction, of the national policy for providing a varied and comprehensive educational service in every area. The Minister shall for all purposes be a corporation sole under the name of the Minister of Education, and the department of which he is in charge shall be known as the Ministry of Education. The Minister shall take the oath of allegiance and the official oath, and the Promissory Oaths Act, 1868, shall have effect as if the Minister of Education were named in the First Part of the Schedule to that Act. While shall is quite uncommon in English as a modal of obligation, in regulatory texts it is highly favoured. “Shall” → not very frequently used in English. What kind of modality does it embody? It is deontic modality because it’s a formal text. We use it if someone is willing to do something. Modality may also be signalled in Mood by a Mood Adjunct : in fact, this is the most normal way of expressing usuality. Probability in particular can be signalled by a combination of modal operator and Mood Adjunct. With modulation , there is the same choice between modal operators (e.g. ‘will’, ‘must’) and Mood Adjuncts (e.g. ‘necessarily’, ‘willingly’). Lexical resources: modal adjuncts Probability probably, possibly, certainly, definitely, no way, hardly, maybe, perhaps Usuality generally, usually, often, sometimes, occasionally, seldom, rarely, never Willingness willingly, readily Obligation definitely, absolutely Lexical resources: mood adjuncts Temporality yet, still, once, eventually, soon
well done everybody, because it sounds a simple thing to do. When we actually got down to it, it wasn't quite as simple was it, and I think every one of you were personalising it really well, and making an excellent start. [ spoken register ] For Bolivia and its miners it means the loss of hard fought for democratic rights and freedoms and the emergence of a new era of lawlessness, inequality and poverty. While the rest of the Bolivian economy slumps and the poor actually get poorer, the coca-barons are doing well. [ written register - rarer ]
Polarity and modality Value of modality Modality value concerns the extent to which a writer or speaker commits him/herself to the validity of what s/he is writing/saying. This can be high, median or low. Modalization Modulation Probability Usuality Obligation Willingness High certain always required must determined Median probable will usually supposed should keen Low possible might sometimes allowed may willing
In 2. the writer expresses his opinion with the modal adjunct “probably”; unlike the modal verb, this is not grammatically connected to the subject and provides a more objective case than 1. Modality types and orientation Modality: examples of ‘type’ and orientation combined Subjective: Subjective: Objective: Objective: explicit implicit implicit explicit Modalization: probability I think [in my opinion] Mary knows Mary’ll know Mary probably knows [in all probability] It’s likely that Mary knows [Mary is likely to] Modalization: usuality Fred’ll sit quite quiet Fred usually sits quite quiet It’s usual for Fred to sit quite quiet Modulation: obligation I want John to go John should go John’s supposed to go It’s expected that John goes Modulation: inclination Jane’ll help Jane’s keen to help Summing up Explicit forms = more than one clause; but BE CAREFUL, there had to be a projection with one clause expressing speaker’s orientation and the second the proposition. Implicit forms = modal verbal operator or Modal Adjunct are in the Mood Block of one clause/proposition. Subjective explicit = Orientation is expressed projecting clause with Senser/Sayer + projecting Process Objective explicit = Orientation is expressed by an “ It clause” Subjective implicit = modality expressed by a modal verbal operator Objective implicit = modality expressed by a Modal Adjunct or expressions of modality
Focusing on Engagement. The meaning. ( engage someone in ) Involve someone in a conversation or discussion. Examples: They attempted to engage Anthony in conversation. We must engage them in discussions that involve their experiences, their questions and their standards. I’d be happy to engage her in a discussion about the value of advertising. [ no object ] ( engage in or be engaged in ) Participate or become involved in Examples: Each of the named individuals is a scientist who engages in research involving animals. He has been actively engaged in an open exchange on what Indonesia is and should be. The Engagement System, like Orientation of Modality, is concerned with “resources for positioning the speaker’s or the author’s voice with respect to the various propositions or proposals conveyed by the text”. Engagement questions “How many points of view - or voices - are expressed?” “Does the speaker/writer encourage dialogue, confrontation of opinions and evaluation or does he/she discourage it?” “Does he/she opens him/herself up to readers/listeners opinions or does he/she disregard them?” More on Engagement Engagement functions rhetorically to construct relations of alignment or vice versa, disalignment, between the speaker/writer and the listener/reader. Engagement is concerned with whether the author of an utterance excludes (= monoglossia ) or admits (= heteroglossia ) any external positions. Engagement refers to notions of dialogism or heteroglossia that sees verbal communication as dialogic. To speak or to write is always to reveal the influence of, or refer to, what has been said/written before and simultaneously to anticipate the responses of actual or potential listeners/readers or voices. Monogloss or Heterogloss?
textual voice introduces the voice of Tickner and of Aboriginal women presenting their propositions as personal opinions (rather than facts) that can be debated. In this way he keeps the dialogue open to other possible opinions. Heteroglossic engagement in student’s history writing Engagement move Description Rhetorical effect Example Possible discourse markers Proclaim: Endorse writer references an outside source and indicates support of this source may strengthen the writer’s argument This depicts that the Babylonian women had no right to freedom of choice X proves X shows X demonstrates Proclaim: Pronounce writer inserts their own voice in the next emphasizes the point being made and rejects alternative perspectives I believe that Hammurabi’s code was fair with women The fact is… I contend that… Indeed... Ctd Engagement move Description Rhetorical effect Example Possible discourse markers Disclaim: Deny writer rejects the perspective that is projected onto the reader may be confrontational (dis-aligning) or corrective (aligning) They were not seen as equally as men [...] Men and women were not treated fully and genuinely No, did not, never Disclaim: Counter writer advances a perspective that is contrary to typical expectations often positions the reader as sharing writer’s surprise at the counter - expectational case Every single law is addressed to men … even when the laws are closely referring to female issues Yet, but, even Engagement move Description Rhetorical effect Example Possible discourse markers Entertain writer keeps alternative perspectives in play in a context where likelihood avoids alienating the reader by allowing room for multiple This can perhaps also mean that women were less literate Perhaps Possibly May
of disagreement is high voices or interpretations than men Attribute, Acknowledge writer uses a framing device to bring an external voice into the text, without displaying an over attitude towards the external voice demonstrates interaction with another voice broadening the range of perspectives on the topic A law from Hammurabi states, “if a man takes a woman to wife ... According to… X suggests X says …
Evaluation - main features To make an evaluation, we need:
Judgement and Modal types Social Esteem ● Normality & Usuality → e.g. He is usually calm ● Capacity & Ability → e.g. He can be calm ● Tenacity & Inclination → e.g. He is keen to start the course this semester Social sanction ● Ethics & Obligation → e.g. I must visit my granny at the hospital ● Veracity & Probability → e.g. This may be an honest report Expressing Judgement ● Classifiers → e.g. proper, fair ● Things → e.g. integrity, bigotry, racism, terrorism ● Processes → e.g. look after ● Circumstances → rightly, wrongly, fairly An example: affect & judgement I am disappointed [affect] and ashamed [affect] that two of our most admired and respected [affect] sportsmen could behave in such a manner. To play for your country is an honour and a privilege, not a right. Those who are chosen to represent Australia should not only be talented [JUDGEMENT] but they should be above reproach [JUDGEMENT]. Sport is supposed to teach honour, fair play, teamwork, leadership and social skills [JUDGEMENT]. It is not supposed to "create" or support greed and egos [JUDGEMENT]. Gambling is not what we want our children to be learning from their heroes [JUDGEMENT] and mentors. SOCIAL ESTEEM “venial” Positive (admire) Negative (criticize) Normality “is s/he special?” Lucky, fortunate, charmed… Normal, average, everyday… In, fashionable, avant-garde... Unfortunate, pitiful, tragic… Odd, peculiar, eccentric… Dated, draggy, retrograde... Capacity “is s/he capable?” Powerful, vigorous, robust… Insightful, clever, gifted… Balanced, together, sane... Mild, weak, wimpy… Slow, stupid, thick… Flaky, neurotic, insane... Tenacity “is s/he reliable, dependable?” Plucky, brave, heroic… Dependable… Tireless, persevering, resolute... Rash, cowardly, despondent… Unreliable, undependable… Weak, distracted, dissolute... SOCIAL ESTEEM “mortal” Positive (praise) Negative (condemn) Veracity (truth) “is s/he honest?” Truthful, honest, credible… Real, authentic, genuine… Frank, direct... Dishonest, deceitful… Glitzy, bogus, fake… Deceptive, manipulative...