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Appunti in inglese su Blake: biografia, pensiero, stile e analisi della poesia "London"
Tipologia: Appunti
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Born in London in 1757. He had humble origins and he remained poor all his life. He was trained as an engraver when he was a boy. He studied at the Royal Academy of Arts. As a painter and an engraver he created a new kind of art which emphasised the power of the imagination. He made illustrations for the work of John Milton and for the Bible, including a cycle of drawings inspired by Dante’s Divine Comedy and he created the method of “illuminated printing”, which combined picture and poetic text. As a political freethinker, he supported the French Revolution: he remained radical throughout his life. He was convinced that the artist had a new role, as the guardian of the spirit and imagination. His poetry is considered as early Romantic because he rejected neoclassical literary style: it was based on imagination (which he regarded as even more important than reason). Blake had a strong sense of religion: in fact, his most important literary influence was the Bible because it presented a complete vision of the world and its history. Literary production ● Songs of Innocence Written before the French revolution, when Blake was enthusiastic about liberal ideas. The narrator is a shepherd and the poems deal with childhood as the symbol of innocence, the state of the soul connected with happiness, freedom and imagination. ● Songs of Experience Using the figure of the bard, Blake questions the themes of the precious collection. A pessimistic view of life emerges from these poems. “Experience” is identified with adulthood and it coexists with “innocence”, providing a different point of view of reality. Therefore these songs have to be read together. Imagination and the poet Blake considers imagination as the means through which a man can know the world : it allows to “see more, beyond material reality, into the life of things”. God , the child and the poet are the only ones to share this power of vision. The poet becomes a sort of prophet who can see deeply into reality, trying to warn men of the evils of society. Blake’s interests in social problems Blake was concered with political and social problems: he supported the abolition of slavery and the egalitarian principles of the French revolution. He believed in revolution as a necessary tool to purify man. Yet after his disillusionment he will focus on the consequences of the Industrial Revolution (exploitation of human beings). For this reason, in his poems he sympathizes with the victims of industrial society (prostitutes, soldiers, children)
Style Blake’s poems have a simple structure. He often uses symbols as the child, the father and Christ, representing respectively the states of innocence, experience and high experience. His verse is linear and rhythmical thanks to the use of repetition. Christianity Blake was greatly influenced by christian principles; his Christianity was not moralistic though. He believed the Church responsible for fragmentation of consciousness and the dualism characterising man’s life. Blake thought that “ complementary opposites' , good and evil, male and female, dark and light, reason and imagination, cruelty and kindness coexist simultaneously. The two states coexist both in the human being and in the figure of the Creator, who can be the God of love and the God of energy and violence at the same time. London The poem is taken from Songs of Experience (1794) and it is one of the greatests poems of William Blake. The main theme is the effect brought by industrialisation in the city of London, causing suffering and disease. I wander thro' each charter'd street, Near where the charter'd Thames does flow, And mark in every face I meet, Marks of weakness, marks of woe. 4 In every cry of every Man, In every Infant’s cry of fear, In every voice: in every ban, The mind-forg'd manacles I hear. 8 How the Chimney-sweeper's cry Every black'ning Church appalls, And the hapless Soldier's sigh Runs in blood down Palace walls. 12 But most, thro' midnight streets I hear How the youthful Harlot's curse Blasts the new born Infant's tear, And blights with plagues the Marriage hearse. 16 Io vago attraverso le strade monopolizzate, Vicino a dove scorre il Tamigi monopolizzato, E noto in ogni faccia che incontro I Segni della debolezza, i segni del dolore. 4 In ogni pianto di ogni uomo, In ogni pianto infantile di paura, In ogni voce: in ogni divieto, Sento le manette forgiate dalla mente. 8 Come il pianto dello spazzacamino Atterrito dalla Chiesa sgomenta, E il sospiro del soldato sfortunato Scorre il sangue lungo i muri del palazzo. 12 Ma attraverso la maggior parte delle strade a mezzanotte sento Come la maledizione della giovane prostituta Distrugge la lacrima dell'infante neonato, E rovina con pestilenze il carro funebre del matrimonio. 16