Critical Reading Exercises, Lecture notes of Technical English

This exercise engages you, the reader, in a conversation with the text/author as well as with yourself. In this way, you enter into a dialogue with the text/ ...

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ANTIOCH UNIVERSITY VIRTIUAL WRITING CENTER
CRITICAL READING EXERCISES
Have you ever experienced the situation of having read something
but for some reason you cannot remember what the passage related? We
all have. Why does that happen? Too many times we read as passive
readers expecting the act of reading to suffice. Unfortunately, it’s not that
simple. Even highlighting can’t do everything for us; in fact, you’ll learn that
highlighting is completely superficial coloring of a text. The following 3
strategies support active participation as readers and thus retention of
your reading.
Strategy #1: Question while Reading
“Can it be, Ischomachus, that asking questions is teaching? I am just
beginning to see what is behind all your questions. You lead me on by means
of things I know, point to things that resemble them, and persuade me that I
know things I thought I had no knowledge of.” Socrates
Research indicates that students who struggle with reading do not
ask questions as they readbefore, during, or after. In fact, even
successful readers avoid questioning a text unless it's teacher-driven.
While the academy is a place for active debate, most of us read materials
given to us as passive voyeurs of a text. Of course, this is saying something
about the power dynamic implicit/explicit between the faculty member
and the student. Do we read to highlight what we think the faculty
member wants us to read? Or do we read to wrestle with ideas. Frankly,
given the reality that most of us read multiple texts in each week, we’re
lucky if we digest even one text. The fact that most of us read or submit
to a text seldom questioning its content, style, or the intent of the
author, disempowers us in the academic enterprise.
So, active reading is essential in bringing the reader into the
discourse. Since there are deep and multiple connections between
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CRITICAL READING EXERCISES

Have you ever experienced the situation of having read something but for some reason you cannot remember what the passage related? We all have. Why does that happen? Too many times we read as passive readers expecting the act of reading to suffice. Unfortunately, it’s not that simple. Even highlighting can’t do everything for us; in fact, you’ll learn that highlighting is completely superficial coloring of a text. The following 3 strategies support active participation as readers and thus retention of your reading. Strategy #1: Question while Reading “Can it be, Ischomachus, that asking questions is teaching? I am just beginning to see what is behind all your questions. You lead me on by means of things I know, point to things that resemble them, and persuade me that I know things I thought I had no knowledge of.” Socrates Research indicates that students who struggle with reading do not ask questions as they read—before, during, or after. In fact, even successful readers avoid questioning a text unless it's teacher-driven. While the academy is a place for active debate, most of us read materials given to us as passive voyeurs of a text. Of course, this is saying something about the power dynamic implicit/explicit between the faculty member and the student. Do we read to highlight what we think the faculty member wants us to read? Or do we read to wrestle with ideas. Frankly, given the reality that most of us read multiple texts in each week, we’re lucky if we digest even one text. The fact that most of us read – or submit to a text— seldom questioning its content, style, or the intent of the author, disempowers us in the academic enterprise. So, active reading is essential in bringing the reader into the discourse. Since there are deep and multiple connections between

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reading and writing, we all need to learn and use strategies of active, critical reading. This first strategy requires the asking a few questions to a text, and thus engage in all the higher level learning of Bloom's Taxonomy : analysis, synthesis and evaluation. Strategy #2: Dialogic/Dialectic Exercise for Critical Reading This exercise engages you, the reader, in a conversation with the text/author as well as with yourself. In this way, you enter into a dialogue with the text/author and later move into a critical conversation (the dialectic) with yourself about your thoughts (the “I” talking with the “me”). Preparation: Dual/Double-Sided Journal Draw a line down the center of your paper to approximately 2/ down. At that point, draw a horizontal line across your page. On the top 2/3, think of the left side as the other person talking/writing, and the right side reserved for your words. You’re engaging in a dialogue as a reader to the writer. The Dialogue: Any lines you want to highlight instead write in the left hand column. Reflect upon the quote and then compose a brief response in the right hand column. Do this several times for the text. Whether you’ve posed questions, summarized thoughts, or posed new ideas for consideration, you’ve engaged in a dialogue with this author. And to dialogue is to converse, to put yourself in an equal status as the writer rather than subordinating yourself as an empty vessel ready to absorb all the information from an author. The Dialectic: After reading, take a look at your comments in the right side. Read and reflect for critical engagement. Is there a theme to your responses?

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article’s margins. Have these comments be more than a punctuation mark (! or ?). Take your time to critically engage. This exercise is going to force you to be more intentional with your highlighting. With each highlight, write a question, critical comment, or note to yourself about the sentence. Since you’ll be required to substantiate what is typically done as a reading affectation, you’ll find yourself being more cautious or selective and avoid the impulsive”highlighting of a text. The result is that you’ll have a handy reminder of what value the article had at this reading. Of course, your response changes with each reading – one wonderful reason why great pieces can be read over and over again. By Anne Maxham, Ph.D. Director of Writing, Antioch University