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A lecture PowerPoint presentation on the visual culture of Russian revolution
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THE BOLSHEVIKS’ ‘COMMUNICATION PROBLEM’
Visual Culture: Russian Orthodox icons and imagery main iconostasis ( th
Cathedral of the Annunciation, Moscow Kremlin
Visual Culture: popular prints and chapbooks Tale about How Grandpa Planted a Giant Turnip (artist unknown, late 19 th c.)
Visual Culture: popular prints and chapbooks Tale of the Fisherman and the Fish (lithograph, pub. P. I. Orekhov, 1878) Russian Hercules Chased the French (coll. and pub. D. A. Rovinskii, 1881)
Visual Culture: advertisements Advertisement for the First Russian Knitting and Embroidery Cotton Factory (P. Ostashov,
Greengrocer and grain merchant, Yaroslavl (unknown photographer, 1908-
Funeral for victims of the February Revolution (Karl Bulla, March 1917)
Visualising Change: the Provisional Government ‘The Great Liberation of Russia’ (March 1917)
Visualising Change: Constituent Assembly Elections ‘Vote for the Party of the SRs’ (1917)
VISUAL CULTURE AND THE BOLSHEVIK ‘SEIZURE OF MEANING’
Seizing Meaning: legitimising authority The Red Banner (V. I. Kozlinskii, 1918)