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Presentación para clase de literatura sobre una película elegida en esta caso Blade Runner
Tipo: Diapositivas
Subido el 05/05/2020
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Lucile Corrand, Guadalupe Neira and Martín Tena
-Ridley Scott.
-Dystopian future.
A. Intro: Harrison Ford, also known as Deckard, needs to “retire” 4 Replicants.
B. Development: The 4 Replicants are on Earth, killing people, and trying to see how they can live longer, as they die after 4 years.
C. Climax: He falls in love with Rachael, a replicant, that he is ordered to “retire”. D. Resolution: Him and Rachael escape after he retires Roy, Leon, Zhora, and Pris.
● Chronological order ● Brief introduction in the beginning
-Elements that produce and suffer the action of a story.
-Humanized, with personality, emotions, consistency and motivations.
-“Criminals will do bad things and heroes will do good things”.
-Characteristics of characters are deduced by the viewer with their actions, not directly told.
-All characters are there because of a reason.
Protagonist
-Main character: Rick Deckard.
-”The one who struggles to solve something, discover a truth and repair natural harmony”.
-He is a Blade Runner; a policeman whose role is to “retire” replicants, which are dangerous robots.
-The movie develops around him.
-Round and dynamic.
Antagonist
-“A person who actively opposes or is hostile to someone or something”.
-Replicants: Roy, Pris, Leon and Zhora.
-Nemesis: Opposes the protagonist, but we need both in order to understand the story. Roy Batty. He is also a round and dynamic character, while the rest of the replicants are flat and static.
Others:
-Foil character/ sidekick: Partner of the protagonist.
-Deuteragonist: Secondary character, right behind the protagonist.
-Helper/ mentor: Helps the protagonist.
There are no foil characters, deuteragonists, or helpers in this movie.
Archeotypes
Point of view:
● 1st Person ○ 1st Person Protagonist ○ Witness Character ● 3rd Person ○ 3rd Omniscient ○ 3rd Limited ○ 3rd Objective : The story is described, there is total objectivity, as we see what the characters do but not what they feel.