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Blasted Review, Apuntes de Teatro

Asignatura: Teatre anglès dels segles XIX i XX, Profesor: Juanvi Martínez Luciano, Carrera: Estudis Anglesos, Universidad: UV

Tipo: Apuntes

2013/2014

Subido el 12/01/2014

chopetanovic
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By: Sarah Kane
Author's Bibliography:
She is a playwright and she was born in Brentwood, Essex. She was brought up by
evangelical parents and she was a committed Christian. But later she rejected these
beliefs. She studied drama at Bristol University and she graduated in 1992. Then, she took
a MA course in playwriting at the University of Birmingham. For many years, she suffered
depression problems, for which she was twice admitted to Maudsley Hospital in London.
She went on writing, even if slowly, throughout her life. For a year, she was writer-in-
residence for Paines Plough, a theatre company which promotted a different type of writing
as well as encouraged new writers. She also worked as a literary associate for the Bush
Theatre in London. She died in 1999 because of committing suicide by hanging herself
with her shoelaces in the bathroom of the London King's College Hospital. She belongs to
the “In Yer Face” theatre, which describes the new way of writing in the 1990s. This writing
was aggressive, raw and angry. It used to shock the sensibility of the audience and to
explore the extremes of the human being by showing the most extreme excesses of the
contemporary society. Many of the characters have no scruples and the language is
aggressive and rude. The most important work of this kind of theatre was Blasted which
supossed a great impact. Besides she also wrote Skin which talk about a difficult and
violent relationship about a black woman and a racist skinhead and 4.48 Psychosis with no
plot, no characters and no indications about how many voices there are. It was written
when Sarah Kane was suffering a great depression. Her complete works are as follows:
Blasted (1995), Skin (1995), Phaedra's Love (1996), Cleansed (1998), Crave (1998), 4.48
Psychosis (2000)
Summary:
The play begins with a meeting in a expensive hotel room between Ian and Cate. Cate is
much younger than Ian, emotionally fragile, and seemingly intellectually simple. They used
to date in the past. Now, he has returned and confesses that he is in love with her. Ian tries
to seduce Cate, but she resists. Then, unexpectedly, a soldier enters the room brandishing
a gun. The hotel room is then struck by a mortar bomb, and the scene ends with the sound
of summer rain. Cate tries to scape but Ian is forced to listen the soldier's stories. He then
rapes Ian, and sucks out his eyes. Later, Cate returns, describing the city being overrun by
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By: Sarah Kane

Author's Bibliography: She is a playwright and she was born in Brentwood, Essex. She was brought up by evangelical parents and she was a committed Christian. But later she rejected these beliefs. She studied drama at Bristol University and she graduated in 1992. Then, she took a MA course in playwriting at the University of Birmingham. For many years, she suffered depression problems, for which she was twice admitted to Maudsley Hospital in London. She went on writing, even if slowly, throughout her life. For a year, she was writer-in- residence for Paines Plough, a theatre company which promotted a different type of writing as well as encouraged new writers. She also worked as a literary associate for the Bush Theatre in London. She died in 1999 because of committing suicide by hanging herself with her shoelaces in the bathroom of the London King's College Hospital. She belongs to the “In Yer Face” theatre, which describes the new way of writing in the 1990s. This writing was aggressive, raw and angry. It used to shock the sensibility of the audience and to explore the extremes of the human being by showing the most extreme excesses of the contemporary society. Many of the characters have no scruples and the language is aggressive and rude. The most important work of this kind of theatre was Blasted which supossed a great impact. Besides she also wrote Skin which talk about a difficult and violent relationship about a black woman and a racist skinhead and 4.48 Psychosis with no plot, no characters and no indications about how many voices there are. It was written when Sarah Kane was suffering a great depression. Her complete works are as follows: Blasted (1995), Skin (1995), Phaedra's Love (1996), Cleansed (1998), Crave (1998), 4. Psychosis (2000)

Summary: The play begins with a meeting in a expensive hotel room between Ian and Cate. Cate is much younger than Ian, emotionally fragile, and seemingly intellectually simple. They used to date in the past. Now, he has returned and confesses that he is in love with her. Ian tries to seduce Cate, but she resists. Then, unexpectedly, a soldier enters the room brandishing a gun. The hotel room is then struck by a mortar bomb, and the scene ends with the sound of summer rain. Cate tries to scape but Ian is forced to listen the soldier's stories. He then rapes Ian, and sucks out his eyes. Later, Cate returns, describing the city being overrun by

soldiers, and bringing with her a baby that she has rescued. Ian gets mad and starts to aimagine strange things. It finishes when Cate comes back to feed Ian.

The language used is very hard and intense but easy to understand. The play is divided into five scenes, each of them with a brief introduction at the beginning which place us in the context of each scene.

The main characters: IAN: He is 45 years old. Racist and agressive. He is divorced and has a teenage son named Mathew. He implies throughout the play that he does clandestine work from the British government, including delivering messages, overseeing mass burials, and even killing. Ian had an affair with the mentally challenged Cate when she was in her teens. CATE: She is 21 years old. Fragile and mentally simple. She has a brother who has a mental disease and who suffers the hate of Ian. She had a relationship with Ian in the past. She does not love Ian anymore. Even though she saves him from the death at the end of the play.

Secondary characters: THE SOLDIER: A man who appears in the mortar explosion. He forces Ian to listen his stories of rape and murders. Then he eats Ian's eyes and he kills himself.

The play tooks place inside an expensive hotel room. The clothes, would be simple and modern, but the soldier, who would wear “camouflage” vest.

Review: This play talks about revenge, past times pain and suffering, so the love stays in a second place contrarely to what we would think. It is a shame that the author talk about this things such as rape, murder, masturbation, suicide and eye-eating but it was good because it led to the population to see what was really happening outside. I really liked that play because of the topic and the way the author express his feelings.