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Ode to melancholy: Analysis essay, Monografías, Ensayos de Poesía

A deep poetry analysis essay on Keats' Ode to melancholy

Tipo: Monografías, Ensayos

2018/2019

Subido el 26/11/2019

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Santiago G. Quinteros
Professor Elizabeth Signorotti
Literature 2501E
24 Oct 2018
Ode on Melancholy
Ode on melancholy represents what a common human being could feel in some
point of his or her life, the lack of joy and interest in life. As a romantic writer, Keats
summons up all his senses or feelings
In the first stanza we can notice two important aspects that will allow us to
understand the direction that Keats wanted to go in his poem. First of all, in the very first
words of the first stanza, Keats is contradicting what everyone might think about
depression or melancholy. He used a Greco-Roman language to set many of his thoughts
about melancholy; by saying “No, no, not go to Lethe” (1) John Keats contradicts the
general position when depression comes at you, that natural impulse that tells you to try to
get rid of it. Lethe, was one of the rivers of the underworld. The Greek mythology used to
tell that once you drink from that river you will forget everything about your past life. In
contrast, Keats was trying to say that, the natural instinct of someone that is going through
melancholy, is trying to eradicate those thoughts, maybe with help of alcohol, drugs or any
substance that will take your memory away.
Keats wanted to contradict that statement about melancholy, due to his thoughts on
it were different. In the fourth line of the first stanza we can notice another Greco-Roman
reference that gave us a little clue of what his thoughts were about. Proserpine, was a
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Santiago G. Quinteros

Professor Elizabeth Signorotti

Literature 2501E

24 Oct 2018

Ode on Melancholy Ode on melancholy represents what a common human being could feel in some point of his or her life, the lack of joy and interest in life. As a romantic writer, Keats summons up all his senses or feelings

In the first stanza we can notice two important aspects that will allow us to understand the direction that Keats wanted to go in his poem. First of all, in the very first words of the first stanza, Keats is contradicting what everyone might think about depression or melancholy. He used a Greco-Roman language to set many of his thoughts about melancholy; by saying “No, no, not go to Lethe” (1) John Keats contradicts the general position when depression comes at you, that natural impulse that tells you to try to get rid of it. Lethe, was one of the rivers of the underworld. The Greek mythology used to tell that once you drink from that river you will forget everything about your past life. In contrast, Keats was trying to say that, the natural instinct of someone that is going through melancholy, is trying to eradicate those thoughts, maybe with help of alcohol, drugs or any substance that will take your memory away.

Keats wanted to contradict that statement about melancholy, due to his thoughts on it were different. In the fourth line of the first stanza we can notice another Greco-Roman reference that gave us a little clue of what his thoughts were about. Proserpine, was a

Roman goddess; her story is told to explain the origin of spring and autumn. By reading the whole story about Proserpine we can relate it to the main objective of Keats in his Ode. By taking spring as a joyful state of mind in our life and, autumn as the melancholic and unhappy part of our life, we can notice that what Keats wanted to set is that we should embrace our depressed time in order to appreciate a lot more our time of joy.

As we continue through the Ode we can advertise that he sets that connection between beauty and delight with depression and melancholy. Beauty exists inherently in melancholy; he attributes all his ‘autumn times’ as a helpful tool to concentrate in what ‘spring’ can be like.

It is impossible to conceive to Keats, to live a monotone life full of joy and happiness, that would take away our perception of what a truly meaningful and joyful life could be knowing that someday and somehow that beauty could die, and fade away.

Cited Works

  1. Quiller-Couch, Arthur.Of Oxford, 1912. The Oxford Book of English Verse 1250-1900. London: University