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THEODORE ROETHKE BIOGRAPHY BEAT GENERATION BRITO
Tipo: Apuntes
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Theodore was born in the United States. His family was well off due to his father's business on a greenhouse, of which he acquired a great fond of Nature. However, at the age of thirteen, his uncle committed suicide, and his father died of cancer. Two tragedies are going to mark him for his entire life. Theodore enrolled at the University of Michigan. He was excellent at his studies but at tennis too, becoming a tennis coach. During this period, Mr. Roethke devoted to verse and poetry, although his family pressures made him give in any postgraduation in Harvard or Michigan. In 1931, he worked at Lafayette College, where he was recognized as an energetic and inspiring teacher. He published his first poems in a magazine called The Harp. In this university, he met the poet Bogan, a relationship that will influence his early works at poetry. In 1941 his first work Open House was published by Knopf in 1941. This work reflects his command at traditional prosody, but rather impersonal sans any private experience something will become his signature as a writer. In this period, Theodore underwent a severe addiction to drink, an issue that will remain for his entire life. In 1935, he returned to Michigan to work as a teacher, yet he suffered his first nervous breakdown and was admitted to hospital. Mr. Roethke suffered from bipolar disorder and suffered bouts of mental illness, due to alcohol and the feverish commitment of his artistic vision. Some of his most famous works are The Lost Son (1948), Praise the End, the latter is taken from Wordsworth prelude. Mr. Roethke married his former student Beatrice O'Connell. Due to this pledge, his poems were focused on prosody and sexual love (Four for John Davies). However, his final volume 'Meditations of an Old woman' that marked the true realization of Roethke's poetic vision. Although his next poems were coined as 'light verse' he continued with the development of his poetic breakthrough. The most remarkable poem collection in his late period was 'The Far Field' (1964) The North American Sequence, consisted of six poems in little free verse that featured the Meditations of an Old Woman. He entangled startling images from the Nature of his childhood and adulthood, the growth of psyche among Nature, trauma of death inter alia. The author died from a heart attack in 1962.