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Riassunto sulla dispensa Cohesion and Coherence
Tipologia: Dispense
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The word TEXT is used by linguistic to refer to any passage, spoken or written of whatever lenght. A text may be prose or verse, dialogue or monologue. It may anything from a single proverb to a whole play or a momentary cry for help too. For sure there are objective factors involved which are characteristic of a text. The distinction between a text and a collection of unrelated sentences is really important. A text isn’t something that is like a sentence, only bigger; a text is regarded as a SEMANTIC UNIT: a unit not of form but of meaning. It does not consist of sentences, it is relized in them. TEXTURE The concept of ‘’texture’’ express the propertty of being a text. In two cohesive senntences the texture is provided by the realtion that exists between them. (Parti da leggere) 1.1. TIES The term refer to a single instance of cohesion. The different kinds of cohesive tie are:
parole: se per capire una frase in un discorso, ho bisogno di cercarne altre all’interno del discorso che mi danno maggiore chiarezza, allora il testoè coeso, c’è coesione). ‘’ HE SAID SO ‘’. → This sentence is perfectly intelligible as it stands. We know what it means, we can ‘’decode’’ it semantically. Buti t is UNINTERPRETABLE, because we do not know who ‘’he’’ is or what he said. These show us that cohesion is a relational concept; it is not the presence of a particular class of item that is cohesive, but the relation between one item and another. One another formi t may take is that of conjunctions expressed by means of items such as: but, later on, in the case… The simplest form of cohesion is that in which the presupposed elementi s verbally explicit and is found in the immediately preciding sentence. There are two kinds of departure from this norm. First, presupposed element may belocated elsewhere, in an earlier sentence, or in a following one; secondly, it may not be found in the text at all. Cohesion as we have said is not a structural relation, it is unrestricted by sentence bounderies, it is simply the presupposition of something that has gone before. This form of presupposition, pointing BACK to some previous item, is known as ANAPHORA. If we find cohesive elements such as ‘’he’’ or ‘’one’’, they automatically implie the item in the immediately preceding sentence. If we have ‘’it’’, it also refers to the immediately preceding sentence, but another ‘’it’’ in that sentence obliges us to go back three, four or more sentences, stepping across a whole sequence of its, before finding the substantial element. Instead where we have conjunctions such as ‘’but, so, in that case, later on’’, the presupposition typically involves a passage longer than a single sentence. Now, we have considered only cohesion as an anaphoric relation. But the presupposition may go in the opposite direction, with the preupposed element following. This we shall refer to as CATAPHORA. The cataphoric reference is often signalled in writing with a colon: but although this has the effect of uniting the two parts into a single orthographic sentence, it does not imply any kind of structural relation between them. The colon is used solely to signal the cataphora, this being one of its principal functions. There remains one further possibility where the information required for interpreting some element in the text is not to be found in the text at all, but in the situation:
There are 3 degrees of texture, and if we are examining language from this point of view, especially spoken language, we shall at times be uncertain as to whether a particular point marks a continuation of the same text or the beginning of a new one. A partial shift in the context of situation in the field or tenor is likely to be reflected in some way in the texture. Subject-matter is neither more nor less important than other features. Texture results from the combination of semantic configurations of two kinds: those of register and those of cohesion. There are 3 major functional-semantic cpomponents: