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david crystal norton, Appunti di Linguistica Inglese

david crystal norton david crystal norton

Tipologia: Appunti

2024/2025

Caricato il 16/12/2025

olya-dehtiar
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7 documenti

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Chapter 1: The State of Play
This chapter introduces the study of Shakespeare’s language, emphasizing its
unique characteristics and historical significance. Crystal addresses common
misconceptions about Shakespearean English, including the idea that it is “Old
English” rather than Early Modern English. He highlights how the playwrights
linguistic creativity contributed to the development of English, demonstrating how
Shakespeares works blend older linguistic forms with innovative expressions.
Chapter 7: The Shape of the Language
Crystal explores the structural aspects of Shakespeare’s language, focusing on
syntax, word order, and sentence construction. He discusses how Shakespeare
frequently manipulated standard word order for poetic and dramatic effects, such as
inversion (e.g., “Goes he” instead of “He goes”). The chapter also examines how
Shakespeares flexible syntax allowed for a richer expression of meaning and
emotion, contributing to the dynamic nature of his dialogue.
Chapter 8: Shakespeare’s Vocabulary
This chapter delves into the richness and range of Shakespeare’s vocabulary.
Crystal notes that Shakespeare introduced many new words into English, either by
coining them or popularizing existing but obscure terms. He also examines the
variety of linguistic registers within Shakespeare’s works, from formal rhetoric to
everyday speech. Additionally, the chapter touches on wordplay, including puns and
double meanings, which are central to Shakespeares style.
Chapter 9: The Sound of the Language
Crystal investigates the phonetics and pronunciation of Shakespeare’s English,
particularly in the context of Original Pronunciation (OP). He reconstructs how
Shakespeares plays would have sounded to contemporary audiences, demonstrating
how rhymes and wordplay often make more sense when read in OP. The chapter
also discusses meter, rhythm, and how actors can use pronunciation to enhance the
meaning and emotional impact of Shakespearean lines.
Overall, these chapters collectively examine the structure, vocabulary, and
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Chapter 1: The State of Play This chapter introduces the study of Shakespeare’s language, emphasizing its unique characteristics and historical significance. Crystal addresses common misconceptions about Shakespearean English, including the idea that it is “Old English” rather than Early Modern English. He highlights how the playwright’s linguistic creativity contributed to the development of English, demonstrating how Shakespeare’s works blend older linguistic forms with innovative expressions. Chapter 7: The Shape of the Language Crystal explores the structural aspects of Shakespeare’s language, focusing on syntax, word order, and sentence construction. He discusses how Shakespeare frequently manipulated standard word order for poetic and dramatic effects, such as inversion (e.g., “Goes he” instead of “He goes”). The chapter also examines how Shakespeare’s flexible syntax allowed for a richer expression of meaning and emotion, contributing to the dynamic nature of his dialogue. Chapter 8: Shakespeare’s Vocabulary This chapter delves into the richness and range of Shakespeare’s vocabulary. Crystal notes that Shakespeare introduced many new words into English, either by coining them or popularizing existing but obscure terms. He also examines the variety of linguistic registers within Shakespeare’s works, from formal rhetoric to everyday speech. Additionally, the chapter touches on wordplay, including puns and double meanings, which are central to Shakespeare’s style. Chapter 9: The Sound of the Language Crystal investigates the phonetics and pronunciation of Shakespeare’s English, particularly in the context of Original Pronunciation (OP). He reconstructs how Shakespeare’s plays would have sounded to contemporary audiences, demonstrating how rhymes and wordplay often make more sense when read in OP. The chapter also discusses meter, rhythm, and how actors can use pronunciation to enhance the meaning and emotional impact of Shakespearean lines. Overall, these chapters collectively examine the structure, vocabulary, and

pronunciation of Shakespeare’s language, showing how his linguistic choices continue to shape the English language today.

1. The State of Play (Chapter 1)

  • Introduction to Shakespeare’s Language
  • Early Modern English, not Old English
  • Myths & misconceptions about difficulty
  • Influence on English
  • Blending old & new linguistic forms
  • Language evolution through plays
  • Approach to Studying Shakespeare
  • Importance of context & performance 2. The Shape of the Language (Chapter 7)
  • Syntax & Word Order
  • Frequent inversions & flexible structures
  • Example: "Goes he" instead of "He goes"
  • Dramatic & Poetic Effect
  • How structure influences meaning & emotion
  • Variation in Sentence Lengths
  • Contrast between complex and simple phrasing 3. Shakespeare’s Vocabulary (Chapter 8)
  • Word Creation & Adaptation
  • Coining new words, adapting existing ones