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He was born on April 23, 1564, in Stratford-upon-Avon, in Warwickshire. This coincided with the feast of Saint George, the patron saint of England. He was baptized on April 26. His father, John, was a glove maker and wool merchant who achieved a certain importance in public life: he was also Bailiff of Stratford (that is, mayor). His mother, Mary Arden, came from a prominent country family.
As a young boy, Shakespeare almost certainly attended the grammar school in Stratford. He would have started at the age of 6 or 7, studying rhetoric, poetry, Latin and some Greek. In November 1582, at the age of 18, he married Anne Hathaway, who was eight years older than him. At the time of the wedding, Anne was already pregnant, and their first daughter, Susanna, was born in May 1583. In February 1585, twins were born, Judith and Hamnet. (Hamnet, who had the same name as Shakespeare’s most famous character, Hamlet – the two names were variants – died at 11 years old, in 1596.)It was probably during that period that Shakespeare decided to move to London to work in the theatre. In fact, from the birth of the twins in 1585 until 1592, when he is mentioned in a book by another playwright, we have no certain news about where he was. These are the so-called “lost years.”
Already in 1592, Shakespeare was active in London as an actor and playwright.In those early years, he experimented with two genres that were very popular at the time: light romantic comedy and a Roman tragedy full of blood and atrocities, what we would now call “pulp fiction.” He also tried a comedy of classical inspiration, based on the Latin playwright Plautus.
A new outbreak of plague in 1592 led to the closure of theatres for about two years.During that time away from the stage, Shakespeare quickly built a reputation as a poet thanks to two long mythological poems. In 1594, however, the plague subsided and the theatres reopened: it was time for Will to return to the theatre.
In 1594, Lord Hunsdon, Lord Chamberlain of Queen Elizabeth (one of the three main officials of the Royal Household), formed a new company of actors: the Lord Chamberlain’s Men. Shakespeare was part of it.The Chamberlain’s Men performed at the Theatre in Shoreditch, north of the walls of the City of London, or at Court during the Christmas festivities.
Shakespeare was a great asset to the company, bringing with him his old plays and writing on average two new ones each year. In return, the company gave him a stable position and financial independence, especially after he became a sharer, that is, a partner in the company (he received one tenth of the theatre’s profits). This allowed him to buy New Place, the second most important house in Stratford, as well as land and a coat of arms for his family.Shakespeare was the most successful playwright of his time. He excelled in all the theatrical genres in vogue: comedies, tragedies and history plays. At the end of the century, the Chamberlain’s Men moved to a new theatre, the one that has since been associated with Shakespeare’s name: the Globe.
When James I succeeded Elizabeth in 1603, the fortunes of Shakespeare’s company further improved. The new king loved the theatre and wanted to take Shakespeare’s company under his protection: as a result, they changed their name to the King’s Men. Shakespeare paid tribute to James (who came from Scotland, where he was still king under the name James VI) with a Scottish play, Macbeth, which celebrated one of the king’s mythical ancestors, Banquo.
From 1603 to 1608, Shakespeare wrote and staged many of his most tragic stories, the so-called “great tragedies”: Othello, Macbeth, King Lear, Antony and Cleopatra. These are very intense stories that present a bleak view of life.
During this period, the Globe, an open-air public theatre, was used in summer, while in winter the company performed at the Blackfriars Theatre, an indoor private theatre. Although much smaller, the private theatre attracted a more select audience and generated income equal to or even greater than that of the open-air theatres.
It was precisely during this period, in 1609, that Shakespeare finally published his collection of sonnets, probably during one of the many theatre closures caused by the plague.
The last part of Shakespeare’s career is somewhat surprising: he abandoned tragic themes and wrote only comedies. He died in Stratford in 1616, on April 23, the same day as his birth. He was buried in the Church of the Holy Trinity, where he had been baptized.
The history plays are dramas that deal with events from English history.In total, Shakespeare wrote ten history plays.
When the young Shakespeare arrived in London at the end of the 1580s, tragedy was already an established genre on the Elizabethan stage. It had to follow certain rules, established by Aristotle in his Poetics. One of these was that tragedies had to end in death and have an unhappy ending. Others were the so-called theatrical unities: time, place and action (the play had to take place in one day, in one location, with continuous action).
However, Shakespeare and his colleagues largely ignored these, preferring a mixed structure: sometimes the action was continuous, other times there were leaps in time, space and plot development.
As an emerging playwright, Shakespeare initially followed the tragic genres popular at the time: history plays and bloody tragedies in the style of the Latin Seneca (Titus Andronicus is full of murders and physical violence).
Following a trendy genre, however, did not mean writing inferior plays: Hamlet (around 1601) is proof of this. It followed the model of the revenge tragedy (Hamlet wants to kill his uncle, his father’s murderer), a genre highly appreciated at the time – and still today: just think of how many novels, films and TV series revolve around revenge.
Shakespeare’s first real creative innovation was Romeo and Juliet (1594-95): it was the first tragedy entirely focused on love. In classical tragedies and their Renaissance imitations, love was always a secondary theme. Romeo and Juliet, on the other hand, became the model for all modern love stories.
Subsequently, Shakespeare once again transformed the concept of tragedy with a series of great plays: Hamlet, Macbeth. These are all analyses of complex characters faced with extremely difficult choices, torn between love and duty, reason and pride.
The analysis of human nature reaches its peak in these tragedies: together, they show Shakespeare’s growing disenchantment with humanity. They contain famous reflections on the meaninglessness of existence (“It is a tale told by an idiot, full of sound and fury, signifying nothing,” Macbeth).
However, even though Shakespeare still used a traditional dramatic structure (with high-ranking protagonists), the return to order at the end is never a real happy ending: both the good and the bad die. In Romeo and Juliet, only the young die, although the blame lies with their parents.
To all this Shakespeare added a psychological depth unique for the time. His Hamlet and Othello are considered the first true modern tragic heroes: they embody the doubts, uncertainties and fragilities of modern man.
What are Shakespeare’s comedies?
The audience of the time expected mainly laughter from comedies, recurring characters and satires on specific social types: the fashionable melancholic (Jaques in As You Like It), the ridiculous lovesick Puritan (Malvolio in Twelfth Night), the foolish servant (Launcelot Gobbo in The Merchant of Venice). Shakespeare abundantly offered all this, as they were the basic ingredients of comedy. However, his comedies are much more than just funny plays.