Universal Design and Multi-Sensory Systems: Principles and Applications, Slides of Human Resource Management

The principles of universal design, focusing on equitable use, flexibility, intuitive design, perceptible information, error tolerance, and physical effort. It also delves into multi-sensory systems, which utilize more than one sensory channel for interaction, and usable senses. Speech, its structure, and recognition problems, as well as multi-modal and multi-media systems.

Typology: Slides

2012/2013

Uploaded on 07/26/2013

dilhara
dilhara 🇮🇳

3.9

(8)

78 documents

1 / 13

Toggle sidebar

This page cannot be seen from the preview

Don't miss anything!

bg1
chapter 10
universal design
Docsity.com
pf3
pf4
pf5
pf8
pf9
pfa
pfd

Partial preview of the text

Download Universal Design and Multi-Sensory Systems: Principles and Applications and more Slides Human Resource Management in PDF only on Docsity!

chapter 10

universal design

universal design principles

  • NCSW
  • equitable use
  • flexibility in use
  • simple and intuitive to use
  • perceptible information
  • tolerance for error
  • low physical effort
  • size and space for approach and use

Usable Senses

The 5 senses (sight, sound, touch, taste and smell) are used by us every day

  • – each is important on its owntogether, they provide a fuller interaction with the natural world

Computers rarely offer such a rich interaction Can we use all the available senses?

  • ideally, yes
  • practically – no We can use • sight • sound • touch (sometimes) We cannot (yet) use • taste • smell

Multi-modal vs. Multi-media

  • Multi-modal systems
    • use more than one sense (or mode ) of interaction e.g. visual and aural senses: a text processor may speak thewords as well as echoing them to the screen
  • Multi-media systems
    • use a number of different media to communicate information e.g. a computer-based teaching system:may use video,animation, text and still images: different media all using the visual mode of interaction; may also use sounds, both speechand non-speech: two more media, now using a different mode

Structure of Speech

phonemes

  • 40 of them
  • basic atomic units
  • sound slightly different depending on the contextthey are in, these larger units are …

allophones

  • all the sounds in the language
  • between 120 and 130 of them
  • these are formed into …

morphemes

  • smallest unit of language that has meaning.

Speech (cont’d)

Other terminology:

  • prosody
    • alteration in tone and quality
    • variations in emphasis, stress, pauses and pitch
    • impart more meaning to sentences.
  • co-articulation
    • the effect of context on the sound
    • transforms the phonemes into allophones
  • syntax – structure of sentences
  • semantics – meaning of sentences

The Phonetic Typewriter

  • Developed for Finnish (a phonetic language, written as it is said)
  • Trained on one speaker, will generalise to others.
  • A neural network is trained to cluster together similar sounds, which are then labelled with the correspondingcharacter.
  • When recognising speech, the sounds uttered are allocated to the closest corresponding output, and thecharacter for that output is printed. - requires large dictionary of minor variations to correct generalmechanism - noticeably poorer performance on speakers it has not beentrained on

The Phonetic Typewriter (ctd)

a a a a a a

o o o o o l o l u

m

v

h

r

ah æ

p d

s

y i

j

g

ø

tk

vm hj hi u

u

v

v v

v

a m

r r r

h

h

h æ æ r m

p p p p p

d

k

k pt t t

t

ø ø

e

n

e e l g n

j

j

j j j

i i i

s s

y y

h

r k

r h

n n h

Speech Synthesis

The generation of speech Useful

  • natural and familiar way of receiving information Problems
  • similar to recognition: prosody particularly Additional problems
  • intrusive - needs headphones, or creates noise in the workplace
  • transient - harder to review and browse