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Post-estructuralismo, ensayo argumentativo.
Tipo: Guías, Proyectos, Investigaciones
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Argumentative essay: Post-structuralism First of all, what is Poststructuralism? Post-structuralism is a movement that recognizes the power of discourse to shape reality (both perceptions of reality and the concrete reality that is perceived). We must understand that post-structuralist texts are rejecting the traditional view of a coherent identity and are instead supporting an illogical and decentered self, a self full of contradictions and paradoxes. Long story short: is a school of thought that responded negatively to structuralism's insistence on frameworks and structures as access points to truth. The approach of poststructuralism, regarding which I find as a key element the thesis of the dissolution of the subject and the appearance of new subjectivities, which in the field of art and, particularly in literature, will be expressed in the rethinking of the study of signs and the linguistic problem, not only as a question of meaning, signifier and referent, but precisely by emphasizing the question of meaning. For example, Giles Deleuze will pose, in Proust and signs, the following: "From worldly signs to sensitive signs, the relationship between the sign and the meaning is increasingly intimate. It is drawn what the philosophers would call an ascending dialectic. But only at the deepest level, at the level of art, the essence is revealed: as a reason for this relationship and its variations"[1]. On the other hand, in Jacques Derrida and his proposal of deconstruction, one of the greatest criticisms of the "conventionally traditional" ways of carrying out literary criticism is found, since in his vision of things, it should begin, at least at the end of the century XX, as a reflection on the crisis of the book as such, as an object, but also as a reference to the meaning of writing. Post-structuralism and deconstruction, as a method, will then differ from structuralism, precisely on the question of the decentralization of the world; in a revolt of the sign against the sign, to locate itself in the plurality of meaning and meaning. Finally, It is worth mentioning Derrida: "If one day withdraw, abandoned to his works and his signs on the beaches of our civilization, the structuralist invasion would become a matter for the historian of ideas. Maybe even an object. But the historian who came to mind something like that would be wrong: by the very gesture of considering it as an object, it would forget their sense, and that it is first of an adventure of the look, of a conversion in the way of questioning , first of all object. Before historical objects (yours), in particular. And among them one very unusual, the literary thing"[2].
Bibliography ● [1] Deleuze, Giles, Proust y los signos, Anagrama, España, 1995, p. 104. ● [2] Derrida, op cit., p. 9. Lenny Díaz (A00104105)