

Prepara tus exámenes y mejora tus resultados gracias a la gran cantidad de recursos disponibles en Docsity
Gana puntos ayudando a otros estudiantes o consíguelos activando un Plan Premium
Prepara tus exámenes
Prepara tus exámenes y mejora tus resultados gracias a la gran cantidad de recursos disponibles en Docsity
Prepara tus exámenes con los documentos que comparten otros estudiantes como tú en Docsity
Encuentra los documentos específicos para los exámenes de tu universidad
Estudia con lecciones y exámenes resueltos basados en los programas académicos de las mejores universidades
Responde a preguntas de exámenes reales y pon a prueba tu preparación
Consigue puntos base para descargar
Gana puntos ayudando a otros estudiantes o consíguelos activando un Plan Premium
Comunidad
Pide ayuda a la comunidad y resuelve tus dudas de estudio
Ebooks gratuitos
Descarga nuestras guías gratuitas sobre técnicas de estudio, métodos para controlar la ansiedad y consejos para la tesis preparadas por los tutores de Docsity
tema para expo oral de enero..
Tipo: Monografías, Ensayos
1 / 3
Esta página no es visible en la vista previa
¡No te pierdas las partes importantes!


Libido sciendi (desire for knowledge) Libido sentiendi (desire for sensory experiences), Libido dominandi (desire for power and control)
Introduction : In the context of the play, the term "libido" refers to the desires and appetites of the protagonist, Faustus. These are often categorized into three types: the intellectual, the sensual, and the spiritual libidos. In the play, Faustus's intellectual libido is evident in his insatiable thirst for knowledge and power, which leads him to make a pact with the devil to gain supernatural abilities. His sensual libido is portrayed through his indulgence in physical pleasure and worldly delights, often at the expense of his soul. Finally, his spiritual libido is represented by his inner conflict and the fleeting moments of remorse and desire for redemption. These three libidos intertwine throughout the play, reflecting Faustus's internal struggle and his eventual tragic fate. The exploration of these different facets of desire and human nature is a central theme in "Doctor Faustus." During the tragedy of Faustus, we are introduced to a character that is driven by his libidos. At the beginning of the play Faustus discovers Necromancy because he has already discarded all other fields of knowledge in which he considers he already excels. He decides turning into the dark arts because he is tempted by the possibilities this new power may arise. Before even of invoking Mephistophelis and sign the contract Faustus speculated about all the great things he can possibly achieve if he becomes a master of necromancy. Among his fantasies there is being more powerful than the King of Germany and to be greater than the Pope. This ambition of being almost like a God, embodied the libido dominandi, the thirst for power of Faustus.
To take into account the libido sentiendi, there are two scenes in which can be observed more clearly. Right after having sign the contract with Mephistophilis Faustus demands a wife. What makes it clear that his need for a companion does not have anything to do with spiritual love or romance but lust. Moreover, towards the end of the play, when Faustus has recognized his fate and that he is doomed he decides to make Mephistophilis invoke Helen of Troy, or Greece as she is referred to in the play. Here there are two reasons we may speculate why her and not someone else. The first one is because the scholars asked and told him she was the most beautiful woman to have ever walked on Earth, the other one is because he wanted to see the most beautiful woman on Earth. Now, the libido sintiendi becomes clearly identifiable when Faustus cannot control himself when he is presented in front of such a beautiful figure and has to kiss her, and, there is probably some speculation among authors about if there is a sexual approach to her.