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Libidos doctor faustus, Monografías, Ensayos de Literatura Medieval

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Tipo: Monografías, Ensayos

2023/2024

Subido el 26/06/2024

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Libido sciendi (desire for knowledge)
Libido sentiendi (desire for sensory experiences),
Libido dominandi (desire for power and control)
3 libidos in Doctor Faustus
Introduction: In the context of the play, the term "libido" refers to the desires and appetites of
the protagonist, Faustus. These are often categorized into three types: the intellectual, the
sensual, and the spiritual libidos.
In the play, Faustus's intellectual libido is evident in his insatiable thirst for knowledge and
power, which leads him to make a pact with the devil to gain supernatural abilities. His sensual
libido is portrayed through his indulgence in physical pleasure and worldly delights, often at
the expense of his soul. Finally, his spiritual libido is represented by his inner conflict and the
fleeting moments of remorse and desire for redemption.
These three libidos intertwine throughout the play, reflecting Faustus's internal struggle and
his eventual tragic fate. The exploration of these different facets of desire and human nature is
a central theme in "Doctor Faustus."
During the tragedy of Faustus, we are introduced to a character that is driven by his libidos. At
the beginning of the play Faustus discovers Necromancy because he has already discarded all
other fields of knowledge in which he considers he already excels. He decides turning into the
dark arts because he is tempted by the possibilities this new power may arise. Before even of
invoking Mephistophelis and sign the contract Faustus speculated about all the great things he
can possibly achieve if he becomes a master of necromancy. Among his fantasies there is being
more powerful than the King of Germany and to be greater than the Pope. This ambition of
being almost like a God, embodied the libido dominandi, the thirst for power of Faustus.
1. Faustus's Yearning for Supreme Power:
"Had I as many souls as there be stars, I'd give them all for Mephistopheles."
This quote emphasizes Faustus's willingness to sacrifice everything, even his own soul, in
exchange for the power he seeks.
2. Desire to Surpass Earthly Rulers:
"All things that move between the quiet poles Shall be at my command."
Faustus expresses his desire to command not only supernatural forces but also all things on
Earth, showcasing his ambition to surpass earthly rulers.
3. Ambition to Surpass the Pope and the King of Germany:
"I'll have them read me strange philosophy And tell the secrets of all foreign
kings."
Faustus's ambition to possess knowledge surpassing that of foreign kings, combined with his
earlier desire to be more powerful than the King of Germany and greater than the Pope,
reinforces his overarching quest for supremacy.
4. God-like Aspirations:
"A sound magician is a mighty god."
Faustus's belief in the god-like powers of a magician reflects his ultimate ambition to attain a
level of divinity through his mastery of the dark arts.
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 Libido sciendi (desire for knowledge)  Libido sentiendi (desire for sensory experiences),  Libido dominandi (desire for power and control)

3 libidos in Doctor Faustus

Introduction : In the context of the play, the term "libido" refers to the desires and appetites of the protagonist, Faustus. These are often categorized into three types: the intellectual, the sensual, and the spiritual libidos. In the play, Faustus's intellectual libido is evident in his insatiable thirst for knowledge and power, which leads him to make a pact with the devil to gain supernatural abilities. His sensual libido is portrayed through his indulgence in physical pleasure and worldly delights, often at the expense of his soul. Finally, his spiritual libido is represented by his inner conflict and the fleeting moments of remorse and desire for redemption. These three libidos intertwine throughout the play, reflecting Faustus's internal struggle and his eventual tragic fate. The exploration of these different facets of desire and human nature is a central theme in "Doctor Faustus." During the tragedy of Faustus, we are introduced to a character that is driven by his libidos. At the beginning of the play Faustus discovers Necromancy because he has already discarded all other fields of knowledge in which he considers he already excels. He decides turning into the dark arts because he is tempted by the possibilities this new power may arise. Before even of invoking Mephistophelis and sign the contract Faustus speculated about all the great things he can possibly achieve if he becomes a master of necromancy. Among his fantasies there is being more powerful than the King of Germany and to be greater than the Pope. This ambition of being almost like a God, embodied the libido dominandi, the thirst for power of Faustus.

  1. Faustus's Yearning for Supreme Power:  "Had I as many souls as there be stars, I'd give them all for Mephistopheles." This quote emphasizes Faustus's willingness to sacrifice everything, even his own soul, in exchange for the power he seeks.
  2. Desire to Surpass Earthly Rulers:  "All things that move between the quiet poles Shall be at my command." Faustus expresses his desire to command not only supernatural forces but also all things on Earth, showcasing his ambition to surpass earthly rulers.
  3. Ambition to Surpass the Pope and the King of Germany:  "I'll have them read me strange philosophy And tell the secrets of all foreign kings." Faustus's ambition to possess knowledge surpassing that of foreign kings, combined with his earlier desire to be more powerful than the King of Germany and greater than the Pope, reinforces his overarching quest for supremacy.
  4. God-like Aspirations:  "A sound magician is a mighty god." Faustus's belief in the god-like powers of a magician reflects his ultimate ambition to attain a level of divinity through his mastery of the dark arts.

To take into account the libido sentiendi, there are two scenes in which can be observed more clearly. Right after having sign the contract with Mephistophilis Faustus demands a wife. What makes it clear that his need for a companion does not have anything to do with spiritual love or romance but lust. Moreover, towards the end of the play, when Faustus has recognized his fate and that he is doomed he decides to make Mephistophilis invoke Helen of Troy, or Greece as she is referred to in the play. Here there are two reasons we may speculate why her and not someone else. The first one is because the scholars asked and told him she was the most beautiful woman to have ever walked on Earth, the other one is because he wanted to see the most beautiful woman on Earth. Now, the libido sintiendi becomes clearly identifiable when Faustus cannot control himself when he is presented in front of such a beautiful figure and has to kiss her, and, there is probably some speculation among authors about if there is a sexual approach to her.

  1. Desire for a Companion:  After signing the contract with Mephistopheles, Faustus demands a wife:  "Sweet Mephistopheles, entreat thy lord To pardon my unjust presumption That dares not yet adventure to her sight." Faustus's request for a wife immediately after making the pact emphasizes his desire for immediate and tangible gratification, leaning more towards lust and sensory experiences rather than spiritual love or romance.
  2. Invocation of Helen of Troy:  Faustus's decision to have Mephistopheles invoke Helen of Troy:  "Was this the face that launched a thousand ships And burnt the topless towers of Ilium?" Faustus's fascination with Helen of Troy and his desire to see the most beautiful woman on Earth highlight his engagement with sensory experiences. The invocation of Helen, known for her extraordinary beauty, serves as a manifestation of Faustus's libido sentiendi.
  3. Kissing Helen:  Faustus's reaction when presented with Helen:  "Her lips suck forth my soul; see where it flies!" Faustus's inability to control himself and the intense sensory experience of kissing Helen further emphasize his engagement with libido sentiendi, indicating a more sensual and immediate desire. Regarding the speculation about a sexual approach to Helen, interpretations may vary, and different productions or analyses may offer different perspectives. The play does not explicitly describe a sexual encounter between Faustus and Helen, but the emphasis on sensory experiences and Faustus's reaction suggests a strong emotional and sensual response to her beauty. Finally, when taking into account the libido sciendi, the thirst for knowledge, it is easier to see it at the beginning of the play when Faustus is trying to decide which career is he going to undertake, choosing magic and necromancy as a result. The fact that he decides for magic does not only come for the fact that he was lead by Mephistophilis to misinterpret the Bible, but, mostly because he considers himself already very wise and knowledgeable. He considers