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TASTE, Apuntes de Idioma Inglés

Asignatura: LENGUA INGLESA II, Profesor: VICTOR VICTOR, Carrera: Filologia/Estudis Anglesos, Universidad: UA

Tipo: Apuntes

2014/2015

Subido el 19/01/2015

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Thcre were six of us to dinner that night at.Mike Schofield's house in London: Mike and his wife and daughter, my wife and I, and a man called Richard Pratt. Richard Pratt was a famous gourmet. He was president of a small society known as the Epicures, and each month he circu- lated privately to ¡ts members a pamphlet an food and wines. He organized dinners where sumptuous dishes and rare wines were served, He refused to smoke for fear of harming his palate, and when discussing wine, he had a curious, rather droll habit of referring to it as though it were a living being. *A prudent wine he would say, 'rather difident and evasive, but quite prudent/ Or, “A good-humoured wine, benevolent and cheerful — slightly obscene, perhaps, but none the less good-humoured. I had been to dinner at Mike's. twice before when Richard Pratt was there, and on each occasion Mike and his wife had gone out of their way to produce a special meal for the famous gourmet. And this one, clearly, was to be no exception. The moment we entered the dining-r0om, 1 could see that the table was laid for a feast. The tall candiles, the yellow roses, the quan- tity of shining silver, the three wineglasses to each person, and above all, the faint scent of roasting meat from the kitchen brought the first warm oozings of saliva to my mouth. As we sat down, 1 remembered that on both Richard Pratt's previous visits Mike had played a little betting game with him over the claret, challenging him to name its breed añd its vintage. Pratt had replied that that should not be tao difficult provided it was one of the great years. Mike had then bet him a case of the wine in question that he could not do it, Pratt had accepted, and had won both times. Tonight 1 felt sure that the litdle game would be played over again, for Mike was quite willing to lose 9 Tales of the Unexpected the bet in order to prove that his wine was good enough to be recognized, and Pratt, for his part, seemed to take a grave, restrained pleasure in displaying his knowledge. The meal began with a plate of whitebait, fried very crisp in butter, and to go with it there was a Moselle. Mike got up and Poured the wine himself, and when he sat down again, 1 could see that he was watching Richard Pratt. He had set the bottle in fromt of me so that 1 could read the label. lt said, “Geierslay Ohligsberg, 1945. He leaned over and whispered to me that Geierslay was a tiny village in the Moselle, almost unknown outside Germany. He said that this wine we were drinking was something unusual, that the output of the vineyard was so small that it was almost impossible for a stranger to get any of it. He had visited Geierslay personally the previous summer in order to obtain the few dozen bottles that they had finally allowed him to.have. *T doubt whether anyone else in the country has any of it at the moment, he said. 1 saw him glance again at Richard Pratt. “Great thing about Moselle, he continued, raising his voice, “it's the perfect wine to serve before a claret. A lot of people serve a Rhine wine instead, but tha's because they don't know any better. A Rhine wine will kill a delicate Claret, you know that? T's barbaric to serve a Rhine before a claret. But a Moselle — ah! -- a Moselle is exactly right" Mike Schofield was an amiable, middle-aged man. But he was a stockbroker. To be precise, he was a jobber in the stock mar- ket, and like a number of his kind, he seemed to be somewhat embarrassed, almost ashamed to find that he had made so much money with so slight a talent. In his heart he knew that he was not really much more than a bookmaker — an unctuous, infinitely respectable, secretly unscrupulous bookmaker — and he knew that his friends knew it, too. So he was seeking now to become a man-of culture, to cultivate a literary and aesthetic taste, to collect paintings, music, books, and all the rest of it. His little sermón about Rhine wine and Moselle was a part of this thing, this culture that he sought. : *A charming little wine, dor't you think? he said. He was still watching Richard Pratt. 1 could see him give a rapid furtive 10 A A ca apago imán Taste glance down the table each time he drópped his head to take a mouthful of whitebait. ] could almost feel him waiting for the moment when Pratt would take his first sip, and look up from his glass with a smile of pleasure, of astonishment, perhaps even of wonder, and then there would be a discussion and Mike would tell him about the village of Geierslay. But Richard Pratt did not taste his wine. He was completely engrossed in conversation with Mike's eighteen-year-old daugh- ter, Louise. He was half turned towards her, smiling at her, telling her, so far as I could gather, some story about a chef in a Paris restaurant. As he spoke, he leaned closer and closer to her, seeming in his eagerness almost to impinge upon her, and the poor girl leaned as far as she could away from him, nodding politely, rather desperately, and looking not at his face but at the topmost button of his dinner jacket. We finished our fish, and the maid came round removing the plates. When she came to Pralt, she saw that he had not yet touched his food, so she hesitated, and Pratt noticed her. He waved her away, broke off his conversation, and quickly began to eat, popping the little crisp brown fish quickly into his mouth with rapid jabbing movements of his fork. Then, when he had finished, he reached for his glass, and in. two short swallows he tipped the wine down his throat and turned immediately to Tesume his conversation with Louise Schofield, Mike saw it all. 1 was conscious of him sitting there, very still, containing himself, looking at his guest. His round jovial face scemed to loosen slightly and to sag, but he contained himself and was still and said nothing. Soon the maid came forward with the second course. This was a large roast of beef. She placed it on the table in front of Mike who stood up and carved it, cutting the slices very thin, laying them gently on the plates for the maid to take around. When he had served everyone, including himself, he put down the carving knife and leaned forward with both hands on the edge of the table, *Now,' he said, speaking to all of us but looking at Richard Pratt. “Now for the claret. 1 must go and fetch the claret, if you”1l excuse me. 11 Tales of the Unexpected The three women and 1 sat quietly, watching the two men. Mike's wife was becoming annoyed; her mouth had gone sour and 1 felt that at any moment she was going to interrupt. Our roasl beef tay before us on vur plates, slowly steaming. *So you']l bet me anything 1 like? “That's what 1 told you. Pl bet you anything you damn well please, if you want to make an issue out of it” *Even ten thousand pounds?” “Certainly I will, if thal's the way you want it” Mike was more confident now. He knew quite well that he could call any sum Pratt cared to mention. “So you say T can name the bet?” Pratt asked again. “That's what I said.” There was a pause while Pratt looked slowly around the table, Árst at me, then at the three women, each in turn. He appeared to be reminding us that we were witness to the offer. “Mike” Mrs Schofield said. “Mike, why don't we stop this non- sense and eat our food. It's getting cold.” “But it isn'i nonsense, Pratt told her evenly. "We're making a little bet” Inoticed the maid standing in the background holding a dish of vegetables, wondering whether to come forward with them or not. “All right, then, Pratt said. TH tell you what 1 want you to bet” “Come on, then” Mike said, rather reckless, 'L don't give a damn what it is - you're on.* Pratt nodded, and again the little smile moved the corners of his lips, and then, quite slowly, looking at Mike all the time, he said, “I want you to bei me the hand of your daughter in mar- riage.” Louise Schoficld gave a jump. Hey! she cried. “No! That's not funny! Look here, Daddy, that's not funny at all? “No, dear,' her mother said. “They re only joking.” “Pm not joking,' Richard Pratt said, . “Its ridiculousy Mike said. He was off balance again now. *You said you'd bet anything 1 liked.” *I meant money. 14 “You didn'1 say money. *That's what 1 meant. “Then its a pity you didn't say it. But anyway, if you wish t0 go back on your offer, that's quite all right with me. “Its not a question of going back on my offer, old man. lisa no-bet anyway, because you can't match the stake. You yourself don't happen to have a daughter to put up against mine in case you lose. And if you had, 1 wouldn't want to marry her” *T m glad of that, dear,” his wife said. “Pli put up anything you like, Pratt announced. *My house, for example. How about my house? “Which one? Mike asked, joking now, “The country one.” “Why not the other one as well? “Al right then, if you wish it. Both my houses.” At that point 1 saw Mike pause. He took a step forward and placed the bottle in its basket gently down on the table. He moved the salt-cellar to one side, then the pepper, and then he picked up his knife, studied the blade thoughtfully for a moment, and put it down again. His daughter, too, had seen him pause. “Now, Daddy! she cried. "Don't be absurd! T's too silly for words. ] refuse to be betred on like this. “Quite right, dear, her mother said. *Stop it at once, Mike, and sit down and eat your food.” Mike ignored her, He looked over at his daughter and he smiled, a slow, fatherly, protective smile. But in his eyes, sud- denly, there glimmered a little triumph, “You know, he said, smiling as he spoke. “You know, Lovise, we ought to think about this a bit” *Now, stop it, Daddy! I refuse even to listen to you! Why, Pve never heard anything so ridiculous in my life? “No, seriously, my dear. Just wait a moment and hear what 1 have to say. “But I don't want to hear it. “Louise! Please! I£'s like this. Richard, here, has offered us a serious bet. He is the one who wants to make it, not me. And if he Joses, he will have to hand over a considerable amount of 15 Tales of the Unexpected property. Now, wait a minute, my dear, dot interrupt. The point is this. He cannoz possibly win. “He seems to think he can. “Now listen to me, because E know what Pm talking about, The expert, when tasting a claret — so long as it is not one of the famous great wines like Lafite or Latour — can only get a certain way towards naming the vineyard. He can, of course, tell you the Bordeaux district from which the wine comes, whether it is from St Emilion, Pomerol, Graves, or Médoc. But then each district had several communes, little counties, and each county has many, many small vineyards. It is impossible for a man to differentiate between them all by taste and smell alone. 1 domt mind telling you that this one Pve got here is a wine from a small vineyard that is surrounded by many other small vineyards, and he'il never get it. T's impossible.” “You can't be sure of that? his daughter said. “Pm telling you 1 can. Though Í say it myself, 1 understand quite a bit about this wine business, you know. And anyway, heavens alive, girl, Pm your father and you domi think Pd let you in for — for something you didn't want, do you? Tm trying to make you some money? *MikeP his wife said sharply. "Stop 1t now, Mike, please!” Again he ignored her. “If you will take this bet; he said to his daughter, “in ten minutes you will be the owner of two large houses.” “But I dor't want two large houses, Daddy. “Then sell them. Sell them back to him on the spot. Fl] arrange all that for you. And then, just think of it, my dear, yowll be rich! Yow'il be independent for the rést of your life? *Oh, Daddy, 1 don't like it. T think it's silly. *So do IL, the mother said. She jerked her head briskly up and down as she spoke, like a hen. “You ought to be ashamed of yourself, Michael, ever suggesting such a thing! Your own daughter, too! Mike didx"t even look at her, “Take it? he said eagerly, staring hard at the girl. “Take it, quick! PI guarantee you won't lose,” “But 1 don't like it, Daddy.” “Come on, girl. Take it! Taste Mike was pushing her hard. He was leaning towards her, fixing her with two hard bright eyes, and it was not easy for the daugh- ter to. resist him. *But what if I lose? *I kcep telling you, you cart lose. 1] guarantee 1t. *Oh, Daddy, must 17 *P m making you a fortune. So come on now. What do you say, Louise? All right? For the last time, she hesitated. Then she gave a helpless little shrug of the shoulders and said, “Oh, all right, then. Just so long as you swear there's no danger of losing” *Good" Mike cried. “That's fine! Then i6's a bet! *Yes, Richard Pratt said, looking at the girl. “IPs a bet” Immediately, Mike picked up the wine, tipped the first thim- bleful into his own glass, then skipped excitedly around the table filling up the others. Now everyone was watching Richard Pratt, watching his face as he reached slowly for his glass with his right hand and lifted it to his nose. The man was about fifty years old and he did not have a pleasant face. Somehow, it was all mouth - mouth and lips — the full, wet lips of the professional gourmet, the lower lip hanging downward in the centre, a pendulous, permanently open taster's lip, shaped open to receive the rim of a glass or a morsel of jood. Like a keyhole, ] thought, watching it; his mouth is like a large wet keyhole. Slowly he lifted the glass to his nose. The point of the nose entered the glass and moved over the surface of the wine, deli- cately sniffing. He swirled the wine gently around in the glass to receive the bouquet. His concentration was intense. He had closed his eyes, and now the whole top half of his body, the head and ncck and chest, seemed to become a kind of huge sensitive smelling-machine, receiving, filtering, analysing the message from the snifing nose. Mike, I noticed, was lounging in his chair, apparently uncon- cerned, but he was watching every move. Mrs Schofield, the wife, sat prim and upright at the other end of the table, looking straight ahead, her face tight with disapproval. The daughter, Louise, had shifted her chair away a little, and sidewise, facing the gourmet, and she, like her father, was watching closely. 17 Tales of the Unexpected probably flattering it a little bit. I must be careful. I must be very careful here” He picked up his glass and took another small sip. “Yes, he said, sucking his hips, “E was right. 1t is a fourth growth. Now I am sure of it. A fourth growth from a very good year — from a great year, in fact. And that's what made it taste for a moment like a third —or even a second-growth wine. Good! That's better! Now we are closing in! What are the fourth-growih vineyards in the commune 0f St Julien? Again he paused, took up his glass, and held the rim against that sagging, pendulous lower lip of his. Then Í saw the tongue shoot out, pink and narrow, the tip of it dipping into the wine, withdrawing swiftly again — a repulsive sight. When he lowered the glass, his eyes remained closed, the face concentrated, only the lips moving, sliding over each other like two pieces of wet, spongy rubber. *There it is again? he cried. “Tannin in the middle taste, and the quick astringent squeeze upon the tongue, Yes, yes, of course! Now 1 have it! The wine comes from one of those small vineyards around Beychevelle. 1 remember now. The Beychevelle district, and the river and the litdle harbour that has silted up so the wine ships can no longer use it. Beychevelle . ... could it actually be a Beychevelle itself? No, 1 don't think so. Not quite. But it is somewhere very close. Cháteau Talbot? Could it be Talbot? Yes, it could. Wait one moment” He sipped the wine again, and out of the side of my eye I noticed Mike Schofield and how he was leaning farther and farther forward over the table, his mouth slightly open, his small eyes fixed upon Richard Pratt. “No. I was wrong. Et is not a Talbot. A Talbot comes forward to you just a Jittle quicker than this one, the fruit is nearer the surface. Tf it is a 734, which 1 believe it is, then it coulárm! be Talbot. Well, well. Let me think. It is not a Beychevelle and it is not a Talbot, and yet — yet it is so close to both of them, so close, that the vineyard must be almost in between. Now, which could that be? He hesitated, and we waited, watching his face. Everyone, even Mike's wife, was watching him now. 1 heard the maid put Taste down the dish of vegetables on the sideboard behind me, gently, so as not to disturb the silence. “Ah? he cried. “1 have it! Yes, I think 1 have it? For the last time, he sipped the wine. Then, still holding the glass up near his mouth, he turned to Mike and he smiled, a slow, silky smile, and he said, You know what this is? This is the little Chátcau Branaire-Ducru” Mike sat tight, not moving. “And the year, 19342 We all looked at Mike, waiting for him to turn the bottle around in its basket and show the label. *Is that your final answer? Mike said. “Yes, l think so, *Well, is it or ism't it? *Yes, it is.* *What was the name again? “Cháteau Branaire-Ducru. Pretty little vineyard. Lovely old cháteau. Know it quite well. Can't think why 1 didm't recognize it at onc: “Come on, Daddy; the girl said. “Turn it round and lef's have a peek. 1 want my two houses.” “Just a minute, Mike said. “Wait just a minute” He was sitting very quiet, bewildered-Jooking, and his face was becom- ing puffy and pale, as though ali the force was draining slowly out af him. *Michael? his wife called sharply from the other end of the table. “Whats the matter” “Keep out of this, Márgaret, will you please” Richard Pratt was looking at Mike, smiling with his mouth, his eyes small and bright. Mike was not looking at anyone. “Daddy! the daughter cried, agonized. But, Daddy, you don't mean to say he's guessed it right" “Now, stop worrying, my dear, Mike said. "There's nothing to worry about.” 1 think it was more to get away from his family than anything else that Mike then turned to Richard Pratt and said, “PII tell you what, Richard. 1 think you and 1 better slip off into the next room and have a little chat. 21 Tales of the Unexpected 1 don't want a little chat; Pratt said. “AI! I want is to ses the label on that bottle” He knew he was a winner now; he had the bearing, the quiet arrogance of a winner, and 1 could see that he was prepared to become thoroughly nasty if there was any trouble. *What are you waiting for? he said to Mike. *Go on and turn it round.” Then this happened: the maid, the tiny, erect figure of the maid in her white-and-black uniform, was standing beside Richard Pratt, holding something out in her hand. “1 believe these are yours, sir,' she said. Pratt glanced around, saw the pair of thin horn-rimmed spec- tacles that she held out to him, and for a moment he hesitated. “Are they? Perhaps they are, 1 domt know. “Yes, sir, theyre yours The maid was an elderly woman — nearer seventy than sixty — a faithful family retainer of many years' standing. She put the spectacles down on the table beside him. Without thanking her, Pratt took them up and slipped them into his top pocket, behind the white handkerchief. But the maid didn't go away. She remained standing beside and slightly behind Richard Pratt, and there was something 'so unusual in her manner and in the way she stood there, small, motionless and erect, that 1 for one found myself watching her with a sudden apprehension. Her old grey face had a frosty, determined look, the lips were compressed, the little chin was out, and the hands were clasped together tight before her. The curious cap on her head and the flash of white down the front of her uniform made her seem like some tiny, ruífled, white-breasted bird. “You left them in Mr Schofield's study, she said. Her voice was unnaturally, deliberately polite. *On top-of the green filing cabinet in his study, sir, when you happened to go in there by yourself before dinner.” It took a few moments for the full meaning of her words to penetrate, and in the silence that followed 1 became aware of Mike and how he was slowly drawing himself up in his chair, and the colour coming to his face, and the eyes opening wide, and Taste the curl of the mouth, and the dangerous litde patch of whiteness beginning to spread around the area of the nostrils, . *Now, Michael” his wife said. “Keep caim now, Michael, dear! Keep calm”