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A licence to sell Modern films and TV shows often feel like long advertisements thanks to product placement. This advertising technique involves using a product in a film or TV programme as if it were part of the story. Product placement owes its success to the invention of the video recorder, as owners fast‐forwarded when adverts appeared in the middle of recorded programmes. Video recorders were a problem for advertisers; product placement was the solution. Today, advertisers receive scripts from producers and then look for products that fit ‘naturally’ with the story. For example, a studio making a film about a teenager at university might ask for clothes, a laptop computer and a mobile phone for her. The camera could easily focus on all of these objects without greatly damaging the story. The problems begin when nobody worries about the story. Ian Fleming, who wrote the James Bond novels, gave his hero a ‘licence to kill’. Many people say the Bond films have given him a new licence: a licence to sell. When Bond isn’t using the latest mobile phones, GPS devices or handheld tablets, he is driving sports cars and flying with airlines that have all been placed in the films for enormous amounts of money. Companies paid $45 million for their products to appear in the last Bond film. Many Bond fans think there is too much product placement and not enough plot. It seems that product placement is here to stay. Nevertheless, many critics feel that if TV programmes and films just become vehicles for advertising, audiences will soon look for alternative forms of entertainment.
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2. ANSWER the questions below. COPY no more than 10 words and/or a number from the text to answer each question. (1.5 points) a) What was the issue for advertisers when video recorder owners watched recorded programmes? b) What kind of product placement might be seen in a film about a teenager at university? c) How much did companies pay for their products to appear in the last Bond film?