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In act iii of shakespeare's othello, iago continues to manipulate othello, planting seeds of doubt in his mind about desdemona's infidelity. Scene by scene, iago's lies take hold, and othello's trust in his wife begins to crumble. An analysis of key scenes and iago's tactics, including his 'double play' and the significance of the handkerchief.
Tipo: Apuntes
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Francisco Javier Castillo
This is the central scene of the play. Desdemona and Emilia assure Cassio that all will be well between him and Othello, but when Cassio sees Othello and Iago approaching, he leaves. He feels full of shame.
Iago does not miss this opportunity to suggest to Othello that Cassio’s leaving may have another significance.
The Moor wants to know what Iago thinks, but he is very evasive in his
replies to Othello and that is how the Moor began to be poisoned by Iago’s lies.
Haply, for I am black And have not those soft parts of conversation That chamberers have, or for I am declined Into the vale of years,--yet that's not much-- She's gone. I am abused; and my relief Must be to loathe her.
O, now, for ever Farewell the tranquil mind! farewell content! Farewell the plumed troop, and the big wars, That make ambition virtue! O, farewell! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner, and all quality, Pride, pomp and circumstance of glorious war! And, O you mortal engines, whose rude throats The immortal Jove's dead clamours counterfeit, Farewell! Othello's occupation's gone!
I think my wife be honest and think she is not; I think that thou art just and think thou art not. I'll have some proof. Her name, that was as fresh As Dian's visage, is now begrimed and black As mine own face.