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Riassunto del terzo capitolo del libro discourse analysis
Tipologia: Dispense
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Different patterns of texture are associated with different types of texts. Newspaper articles, for example, tend to favour particular kinds of cohesive devices and are structured in a conventional way with a summary of the main points in the beginning and with the details coming later. To understand why such textual conventions are associated with this type of text, we need to understand something about the people who produce and consume it and what they are doing with it. The study of the social functions of different kinds of texts is called: GENRE ANALYSIS Certain types of texts tend to favour certain cohesive devices and are structured in a conventional way. But why? It depends on the function. We need to understand what the people who produce the texts are trying to do with them, and how this doing is mixed up with their social or professional identities. GENRE: EXPECTATION AND CREATIVITY A genre is a recognisable communicative event characterised by a set of communicative purposes identified and mutually understood by members of the community in which it occurs. Most often it is highly structured and conventionalised with constraints on allowable contributions in terms of their intent, positioning, form, and functional value. These constraints, however, are often exploited by expert members of the discourse community to achieve private intentions within the framework of the socially recognised purposes. Genres are not defined as types of texts but rather as types of communicative events; these events are characterized by constraints on what can and cannot be done within them; expert users often exploit these constraints in creative and unexpected ways. Vijay Bhatia is a retired Professor from the Department of English at the city University of Hong Kong. His research interests are: Genre analysis of academic and professional discourses, including, legal, business, newspaper, advertising, genres; ESP and Professional Communication; GENRES ARE COMMUNICATIVE EVENTS Considering texts events highlights the fact that all texts are instances of people doing things with or to other people. E.g., informing, instructing, requesting etc. (A newspaper article is an instance of someone informing someone else about some recent event). ‘Genres are how things get done, when language is used to accomplish them’ (Martin, 1985) The communicative purposes of texts can be multiple and complex (e.g., persuading and instructing) and the same text can be seen by different people who may have different purposes in mind (e.g., promoting vs selecting). A
recipe, for example, may be persuading you to make a certain dish as much as it is instructing you how to do it. CONVENTIONS AND CONSTRAINTS The way genres are structured and the kinds of feature they contain are largely determined by what people want to do with them. Genres have some built-in constraints as to what kinds of things they can include and what kind of things they cannot, based on the activity they are trying to accomplish, The constraints regard what can be included but also how it should be included. The order in which things are done in a genre is called move structure of a particular genre. It is also a measure of the ability to use a genre to fulfil the communicative purposes of the genre. Conventions and constraints make the communicative event more efficient and demonstrate that the person who produced the text knows how “we do things”. The ability to successfully produce a genre ( eg job application letter) following particular conventions is an indication of how the writer knows how to communicate like us. CREATIVITY Sometimes the most successful texts are those that break the rules, that defy conventions and push the boundaries of constraints. Expert producers of texts sometimes mix different kinds of text together, or embed one genre into another, or alter the moves that are included or the order in which they are presented. Being creative can be risky. But of course, there are limitations to how much a genre can be altered and still be successful. Creativity is impossible without conventions and constraints, so innovations can be successful because they exploit previously formed expectations. Creativity must have some relationship to the communicative purpose of the genre and the context in which it is used. Finally, being able to successfully defy conventions is a matter of and a marker of expertise: in order to break the rules effectively, you must be able to show that you have mastered the rules. DISCOURSE AND COMMUNITY At the centre of the concept of genre is the idea of belonging. Genres are ways to get things done but also to show ourselves as members of particular groups and to demonstrate that we are qualified to participate in particular activities.
genres past and present, and the multiple functions it might serve in multiple discourse communities. D3. DISCOURSE COMMUNITIES Genres have the function of promoting the values of the community. They can do this explicitly or implicitly, through the kinds of social relationships that they make possible among members. Genres have also the function of bringing new people in the community, which includes attracting new members and socialising new members into the way of acting and thinking associated to the community. Rules and constraints in genres are important because they make the communicative actions more efficient and also because they demonstrate that the person who uses them knows “how to do things” and so is a ‘person like us’. Genres have political or ideological dimension because they create and maintain communities and serve as the means through which people in those communities learn how to be ‘legitimate members’. COMMUNICATIVE PURPOSE Genres can have multiple purposes, e.g. for the author addresses… Sometimes genres are designed with a specific audience in mind, in other cases the audience can be multiple. In the It gets better project, it can include young people struggling with an anti- gay bullying, parents/teacher of LGBT+ teens, school or government officials, people who were involved in bullying stories in the past… The communicative purposes is thus multiple: encourage and empower (bullied teens), arouse concern and help understand (parents/teachers), alert and demand action (policy makers), shame (former or current bullies). Carry out a move analysis: Start stating the text purpose, then continues with what the text is doing in each move. MULTIMODAL TEXT – SEMIOTIC RESOURCES INVOLVED: what areas are there?