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Handsout resueltos, Ejercicios de Idioma Inglés

Asignatura: Técnicas de Estudio de la Literatura en Lengua Inglesa, Profesor: , Carrera: Estudios Ingleses, Universidad: UGR

Tipo: Ejercicios

2017/2018

Subido el 19/05/2018

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THE TELL-TALE HEART by Edgar Allan Poe (1843)
1. Write a summary of the story (between 100-120 words): ………………….
2. What type of narrator is used in the story? It is a first person narrator, so it can't be
omniscient, it is limited. The narrator is one of the characters, so he's telling what he
thinks, sees, and feels. He could be trying to be omniscient when he interprets what the
old man is thinking, but he doesn't really know. It is an intrusive narrator, because he's
talking directly to the reader, he wants to interact with us. For example, in the first
paragraph, when he says: Hearken!
3. What do I know about the events, characters, etc? We know what the narrator (the
mad man) is telling. We know that there's a murder, that he tries to hide it to the policemen,
we know a little bit about the old man (the description the mad man gives), etc. We can
work out that the narrator is paranoid, that he's not healthy, so we deduce that we can't
trust him a lot.
We know that this "mad man" is a nervous person, cold-blooded, crazy, and
that he is ill. His senses are become dierent, deteriorated and out of control.
We see the old man from his perspective, but he looks cautious, calm, and
good with him. They may be atmates.
The policemen seem relaxed, and not pretty serious, because instead of
investigating and go, the sit and keep chatting with the mad man.
4. What do the characters know? I think the old man doesn’t know what is
going to happen, but he could have been expecting something, because even
though they don’t have a bad relationship, he could have felt that the mad
man was observing him, and that he was kinder with him the week before. But
anyway, I don’t think the old man sees his atmate as a possible murderer.
The mad man knows everything that is happening, because he’s the one who
is planning the murder, and he’s observing the old man at every moment, so
he misses almost anything. But he’s mad, his senses are sharpened, so he sees
the actual facts in a dierent way.
The police-oicers know nothing about the murder, although they think the
mad man could be suspicious, but they don’t have any evidence to check
something, so they don’t realize until the mad man admits what he did, nally.
5. What are the eects of these dierences in knowledge? Comparing
with the old man and the oicers, we are aware of what is going to happen,
because we know that the mad man is anxious about the old man, and we
could expect the worst about this situation. We also know that the mad man is
going crazy (because of the pressure he feels, the mixed feelings, etc) because
we can deduce that what he hears sometimes is unlikely to be real. We
visualize that he’s getting mad. So we can have a relatively omniscient idea of
the facts in the story.
6. How reliable is the narrator? Why? Find some evidence in the text to
prove this. The narrator is not reliable. In the rst paragraph we can nd
some evidence that he’s truly unhealthy. And he’s always obsessed with the
Evil Eye, which is a weird idea.
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THE TELL-TALE HEART by Edgar Allan Poe (1843)

  1. Write a summary of the story (between 100-120 words): ………………….
  2. What type of narrator is used in the story? It is a first person narrator, so it can't be omniscient, it is limited. The narrator is one of the characters, so he's telling what he thinks, sees, and feels. He could be trying to be omniscient when he interprets what the old man is thinking, but he doesn't really know. It is an intrusive narrator, because he's talking directly to the reader, he wants to interact with us. For example, in the first paragraph, when he says: Hearken!
  3. What do I know about the events, characters, etc? We know what the narrator (the mad man) is telling. We know that there's a murder, that he tries to hide it to the policemen, we know a little bit about the old man (the description the mad man gives), etc. We can work out that the narrator is paranoid, that he's not healthy, so we deduce that we can't trust him a lot. We know that this "mad man" is a nervous person, cold-blooded, crazy, and that he is ill. His senses are become different, deteriorated and out of control. We see the old man from his perspective, but he looks cautious, calm, and good with him. They may be flatmates. The policemen seem relaxed, and not pretty serious, because instead of investigating and go, the sit and keep chatting with the mad man. 4. What do the characters know? I think the old man doesn’t know what is going to happen, but he could have been expecting something, because even though they don’t have a bad relationship, he could have felt that the mad man was observing him, and that he was kinder with him the week before. But anyway, I don’t think the old man sees his flatmate as a possible murderer. The mad man knows everything that is happening, because he’s the one who is planning the murder, and he’s observing the old man at every moment, so he misses almost anything. But he’s mad, his senses are sharpened, so he sees the actual facts in a different way. The police-officers know nothing about the murder, although they think the mad man could be suspicious, but they don’t have any evidence to check something, so they don’t realize until the mad man admits what he did, finally. 5. What are the effects of these differences in knowledge? Comparing with the old man and the officers, we are aware of what is going to happen, because we know that the mad man is anxious about the old man, and we could expect the worst about this situation. We also know that the mad man is going crazy (because of the pressure he feels, the mixed feelings, etc) because we can deduce that what he hears sometimes is unlikely to be real. We visualize that he’s getting mad. So we can have a relatively omniscient idea of the facts in the story. 6. How reliable is the narrator? Why? Find some evidence in the text to prove this. The narrator is not reliable. In the first paragraph we can find some evidence that he’s truly unhealthy. And he’s always obsessed with the Evil Eye, which is a weird idea.

7. Does the narrator's perspective change at any time? The eyes through which we see the story doesn’t change. It is a first person narrator, so the narrative point of view is always the mad man’s. 8. Reflect on the importance of eyes and hearing in this story. What do you think about the insistence throughout the text on these two elements? The eyes reflect how the mad man sees his

reflect his regrets, his pain, through the sound of the irritating old man’s heart. They are useful to let the reader know how the mad man feels, how a mad person can be influenced by its senses, to do the strange things he does, his weird behavior.

DEATH BY SCRABLE by Charlie Fish

Study questions:

  1. Provide a short summary of the story (between 100-120 words): ..................
  2. Who tells the story? The husband is the one who tells the story, he’s the narrator. It is a first person narrator, not reliable, because he’s not objective. He’s always complaining about his life. How much does s/he know about the character(s)? The husband knows everything about himself, of course, but he doesn’t know what his wife is planning, that’s why he finally ends in that way in the story. He thinks that he’s the one who is frustrated, but his wife is the one who acts, even though she’s not complaining at all. She could be frustrated too, but she’s silent and keeps her secret very well. How much does s/he decide to tell the reader? He tells all he sees and thinks, he doesn’t hide anything to the reader, but all he doesn’t know, the reader can’t discover until the end of the story.
  3. Make a list of the characters that appear in the text and include all the information you can gather regarding their age, appearance, personality, etc: The husband is 42, he’s upset, bored, looking for something new. He’s angry with his wife, he hates her and he’s unkind with her. He’s a bit of a psychopath, because he can’t concentrate on other things, he’s obsessed. He’s a passive but aggressive man, manipulator with the readers and pessimistic. The wife is quite, clever, calm and cautious. They are both major characters, and antagonists, because they’re like fighting mentally with each other, because none of the couple likes the other. 4. Where does the action take place? Find any significant passage(s) describing the location of the story: The action takes place in their house, mostly in a room. They’re sitting next to a window. They’re not at a crowded town, because it seems that there’s a garden and trees outdoors. 5. Underline all the references to TIME you can find in the text. It’s summer, a Sunday afternoon. How much time is covered in the story? The story lasts about an hour, the time that takes them to play to Scrabble. How long did it take you to read it? It took us about 15 minutes or so to read it. 6. Make an outline of the events narrated in the story, underlining those you consider most important: They start the game, the man starts thinking about killing his wife while they’re playing. She plays the word JINXED, but he can’t play the word MURDER. He plays WARMER. He feels the heat of the sun hotter. Then, she plays FAN. She gets up to turn on the air conditioning. Later, she plays READY, and goes to pour herself a cup of tea. He steals a tile. When she comes back, he plays CHEATING, when she asks if he has cheated. Then, he plays EXPLODES, and the air conditioning unit fails

suddenly. He thinks it can’t be a coincidence, and he starts feeling nervous. He plays FLY to test the game. He sees a fly. Then, plays QUAKE, and feels the trembling.

the tile he was chewing gets lodged in his throat. He fall to the floor, while his wife sits watching.

7. Why/not do we keep interest in the story? How is that interest maintained all throughout? Because of the anticipation, we can see the relation between the game and the actual facts that are taking place. All the coincidences make us get into the story.

LAPPIN AND LAPPINOVA by Virginia Woolf (1939)

Study questions:

  1. Summarize the story in about 100-120 words: ……………………
  2. What type of narrator is used in the story? It is a third person narrator, and not omniscient, but limited, because we see the whole story through Rosalind eyes, and not anyone else point of view.
  3. Whose point of view do you think is predominant throughout the story? The clearly predominant point of view is Rosalind’s, Lapinova. How does it condition our perception about the events, characters, etc? It conditions the reader because it makes us empathize with her, more than with Ernest or the other characters. We see Rosalind as the victim, but she’s not the only one, because Ernest is a victim too. They’re married, and none of them could have chosen a different future.
  4. Does that perspective (narrative point of view) change at any time? The narrative point of view doesn’t change.
  5. Notice the techniques used by the author in order to introduce the characters and comment on the effect they have on the reader. The author presents every character describing it in a direct way. The narrator gives the details we need to know them. It connects the characters with some animals, in order to describe them in a different way, to make it easier for the reader to understand. What impression do you have of each character after reading the story? Ernest is serious, prudent, but pleasant too, he wanted the marriage to go well, although he doesn’t try too hard. Rosalind is an imaginative, pretty, humble and prudent girl, but she’s seen as the typical weak and undependable wife in that superficial society. The mother is a sad woman, who wants her family to appear perfect, so she’s a fake person. The father is a serious richman, not relevant, who makes Rosalind feel scary. Celia is a nosey girl.
  6. Can you classify the characters according to the types in your handout on “Characterization”? Ernest would be a major character and flat (he pretends, but he’s always the same, like a hunter). Rosalind is the protagonist, she’s round and dynamic. The father, mother and Celia are minor characters, then they would be flat. The antagonists in the story seem to be: the marriage itself, Ernest’s family, and Ernest at the end.
  7. Pay attention to the characters’ names. What relevance do you think they have in the creation of characters in this story? “Lappin” means “timid”, and the suffix “–ova” means “the possession of somebody”. “Ernest” means “a serious and sincere man”. “Rosalind” means “sweetness, softness, tenderness and innocence and fragility”. “Thorburn” is a contraction for “thorn” plus “burn”, so that name is connected with violence.
  8. The story offers a very particular view of marriage. How would you describe it? It is a marriage of convenience, so the parents are the ones who choose it all, the

couple can’t decide who they are going to marry. They are expected to live happily together, get used to each other.

marriage nor getting divorced. What is the author’s purpose, in your opinion? The author wants to create a concrete setting, a climate, to let Rosalind dream a fairytale, and finally finish with it.

  1. The story is full of references to golden and red elements. What do you think is the relevance of these colours within the text?The red ones could mean violence, blood, danger, but also passion. And the golden elements would be that luxury, wealth, ostentation, and false perfection in Ernest’s family.
  2. Could you predict the ending of the story? Try to find examples in the text which may lead us to anticipate the ending (consider, in particular, those cases in which the fantasy of the rabbits turns into something sinister). We can deduce the ending, there are a few evidences in the text that help us predicting it: “… a nose that never twitched at all…”, “Quitesafe…”, “She felt a load on the back of her neck”, the stuffed hare in the museum, etc.
  3. Provide as much information as you can about the depiction and role of setting in the story. How do you think the description of setting might be important for the rest of elements in the story (characters, plot, and themes)? It is a forced marriage (the main argument), which is the true antagonist for the protagonists, Ernest and Rosalind. Ernest’s family is rich, it is the typical one without love but pretending to be happy. It influences in Rosalind’s behavior, when she’s at the party. We find oppressive places in the story, and also a traditional and narrow society, which is really important on the conduct of the characters. The story would change a lot if it was placed in the 21 st^ century.

THE LOTTERY by Shirley Jackson (1948)

Study questions:

  1. Summarize the story in about 100-120 words: ……………………
  2. What type of narrator is used in the story? It is a third person narrator, omniscient and reliable (objective), because it’s not any character in the story. We don’t get into the minds of the characters, what makes the story more horrific.
  3. Whose point of view do you think is predominant throughout the story? Nobody’s. The narrator is omniscient. How does it condition our perception about the events, characters, etc? We empathize a little bit more with the chosen ones, but we don’t get to see the story with anyone’s point of view.
  4. Does that perspective (narrative point of view) change at any time? No.
  5. Notice the techniques used by the author in order to introduce the characters and comment on the effect they have on the reader. Many minor characters are presented, we don’t get to know anyone’s deep personality, because the narrator doesn’t focus on anyone. What impression do you have of each character after reading the story? We could think that they’re all individualistic people, they don’t care very much about the others, even inside a family. They only think about themselves.
  6. Can you classify the characters according to the types in your handout on “Characterization”? All of them are symbolic characters, of the evil and cruelty in society. Mr. Summers is a major character, he’s flat and static, he’s arrogant and cold. His name means the renovation, the improvement, but it’s all superficial, he doesn’t do anything at all, actually. Tessie is another major character, and she’s flat and static too, she’s selfish, and a victim of the system. Bill Hutchinson is a major, flat and static character too. The old man Warner is a conservative man,

who doesn’t believe that anything can be improved, and his name means the warning. Mr. Graves is