La ddfc de Olympe de gouges, Lecture notes of Global studies

Cela parle de la ddfc de Olympe de gouges

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2024/2025

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Introduction
Stereotypes exist in fiction but also in reality. They also nourish
one another in a reciprocal way. Hence the various
representations of men and women detectives were filled with a
sense of stereotyping against both genders and ended even
compromising with the social codes of the societies in which
they were published. Thus, they reflected the images expected
by the viewers but also helped shape these.
Men Detectives
The main two crucial traits a man must have to be considered
as an appropriate detective in a fictional account is his ability to
solve crimes and his being the hero. Any character or physical
traits are acceptable as long as the detective is doing his job
properly and is solving crimes. This is in itself a form of
stereotyping against men. As a man is also allowed to fail, cry,
and be defeated. However, this is not what readers expect to
read, see or hear. In order for the character to gain the
viewers/readers confidence he must succeed in fulfilling their
desires of finding the criminal and presenting him/her to the
authorities. Otherwise, the work won’t sell.
Women Detectives
Stereotyping against women detectives has changed across the
years. We can even talk about traditional vs modern female
stereotypes. Seemingly writers had to compromise with two
major stereotyping concepts independently of the societies in
which those accounts were published a female detective meant
that the character is either an unsuccessful either as a
detective or as a woman. This is what explains the use of such
words as sleuth or spinsters to describe them. As author
Kathleen Gregory Klein states in her book The Woman
Detective ‘to succeed commercially authors decided that their
character was either not a proper detective or not a proper
woman’. Agatha Christie’s Miss Marple is a good example for
this.
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Introduction Stereotypes exist in fiction but also in reality. They also nourish one another in a reciprocal way. Hence the various representations of men and women detectives were filled with a sense of stereotyping against both genders and ended even compromising with the social codes of the societies in which they were published. Thus, they reflected the images expected by the viewers but also helped shape these. Men Detectives The main two crucial traits a man must have to be considered as an appropriate detective in a fictional account is his ability to solve crimes and his being the hero. Any character or physical traits are acceptable as long as the detective is doing his job properly and is solving crimes. This is in itself a form of stereotyping against men. As a man is also allowed to fail, cry, and be defeated. However, this is not what readers expect to read, see or hear. In order for the character to gain the viewers/readers confidence he must succeed in fulfilling their desires of finding the criminal and presenting him/her to the authorities. Otherwise, the work won’t sell. Women Detectives Stereotyping against women detectives has changed across the years. We can even talk about traditional vs modern female stereotypes. Seemingly writers had to compromise with two major stereotyping concepts independently of the societies in which those accounts were published a female detective meant that the character is either an unsuccessful either as a detective or as a woman. This is what explains the use of such words as sleuth or spinsters to describe them. As author Kathleen Gregory Klein states in her book The Woman Detective ‘to succeed commercially authors decided that their character was either not a proper detective or not a proper woman’. Agatha Christie’s Miss Marple is a good example for this.

Modern stereotyping against women detective is clearly introduced in the techniques the lady detectives involved in those accounts use to solve crime. Instead of resorting to violence and responding to crime with crime as their male counterparts do, they are depicted as strong characters capable of solving unsolvable issues by means of resorting to their common sense , love and compassion. Conclusion Authors are often limited by their readers’ thoughts ad tend to be responsive to society’s demands. A novel or a movie won’t sell if it gets out of the detective stereotype box. The opposite thing can be acceptable if we consider the remaining fictional genres ie romance, action, sci-fi etc… Indeed, in the detective genre particularly characters must be credible enough for the readers to accept them. Therefore, writers seem to be abided by their viewers/readers’ expectations of them independently of their genders. The N1 Ladies Detectives’ Agency It was first published in 1998. It was translated to over 39 languages. Written by Alexander McCall The story is set in Botswana and depicts a main female character whose name is Mma Romatswaa. Gender stereotyping is a characteristic feature of African literature. An abundance of books depicted a number of issues preserving and even further reinforcing the patriarchal mindset within the African societies. Take these examples from Things Fall Apart by Chinua Achebe When Okonkwo, one of the main characters of the story rebuked himself for being emotional he said ‘when did you become a shivering old woman’. As if crying and or being emotional is only for women.